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Willard Maas

Willard Maas

Willard Maas (b. 24 June 1906 - 2 January 1971) was an American experimental filmmaker and poet. He was the husband of filmmaker Marie Menken. The couple achieved some renown in New York City's modern art world of the 1940s through the 1960s, both for their experimental films and for their salons, which brought together artists, writers, filmmakers and intellectuals.

According to their associate, Andy Warhol, 'Willard and Marie were the last of the great bohemians. They wrote and filmed and drank -- their friends called them 'scholarly drunks' -- and were involved with all the modern poets.

In the 1960s, Maas was a faculty member at Wagner College and an organizer of the New York City Writer's Conference at the college where Edward Albee was a writer in residence. The filmmaker Kenneth Anger indicates that Maas and Menken may have been a significant part of the inspiration for the characters of George and Martha in Edward Albee's 1962 play Who's Afraid of Virginia Woolf? (Scott McDonald - 'A Critical Cinema: Interviews with Independent Filmmakers' (University of California Press - 1988).

Maas died on January 2 1971, four days after Menken had died of alcohol related illness. He was cremated.

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Movies Made By Willard Maas (9)

Orgia (1967)

A fragment of an abandoned, long work concerning St. Teresa of Avila. A sexual orgy symbolizing the decadance of modern society. Maas, who acts in this film, plays the devil while a wild orgy goes on in his living-room. There is the fantastic drag queen do ...

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Excited Turkeys (1966)

"A realism like that of GREED is lifted to a level where it becomes poetry. This is done by stylization and a few well-chosen details... a masterpiece." –Jonas Mekas, Village Voice "A black comedy which, in its cruel ending, has been compared to Harold P ...

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Andy Warhol's Silver Flotations (1966)

Andy Warhol's Silver Flotations is a portrait of Warhol's famous installation of floating silver helium-filled balloons at the Leo Castelli Gallery in 1966. Willard Maas's lyrical "film poem" is the only visual document of this seminal exhibition. ...

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Sidewalks (1966)

Photography: Willard Maas and John Hawkins. "Looking down instead of around, while walking, finding the magic patterns in the pavements of a city. ...

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Dionysus (1964)

In 1963 Boultenhouse wrote, produced, and directed Dionysius,which he described as a "free treatment of Euripides' The Bacchae."It starred the dancers Louis Falco, Anna Duncan, and Nicolas Magallanes as Dionysius, Agave, and Pentheus respectively, and the ...

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Narcissus (1957)

A film poem, a re-telling of the Greek myth in modern terms. In the traditional pool the water has become muddy and Narcissus finds that mirrors are more rewarding for the study of his changing reflections. There are three mirrors, each reflecting a dramat ...

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The Mechanics of Love (1955)

This short begins with a couple about to make love, and then does a tour of innocuous objects in the room around them that invariably suggest sexual activity. ...

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Image in the Snow (1952)

A young male protagonist dreams of a muscleman hero, a black dancer, and a princess who gives him a magic urn. When he wakes he rejects his mother (Menken) and wanders the cold streets, where he finds his dream characters corrupted or dying. ...

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The Geography of the Body (1943)

A quotation from Aristophanes, "The desire and pursuit of the whole is called love," precedes views of a man and a woman's bodies, often in extreme close up. Off-screen, a voice recites fragments of oracular literature and purple prose. We see an eye, an e ...

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Movies Starring Willard Maas (7)

Orgia (1967)

A fragment of an abandoned, long work concerning St. Teresa of Avila. A sexual orgy symbolizing the decadance of modern society. Maas, who acts in this film, plays the devil while a wild orgy goes on in his living-room. There is the fantastic drag queen do ...

Watch Now

Andy Warhol Screen Tests (1965)

The films were made between 1964 and 1966 at Warhol's Factory studio in New York City. Subjects were captured in stark relief by a strong key light, and filmed by Warhol with his stationary 16mm Bolex camera on silent, black and white, 100-foot rolls of fi ...

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Bitch (1965)

"Andy Warhol called Marie Menken and Willard Maas 'the last of the great bohemians,' and, in 1965, made Bitch, his real-life parody of Edward Albee's play Who's Afraid of Virginia Woolf?, with Willard and Marie sitting on the couch in their living room, dr ...

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Blow Job (1964)

Andy Warhol directs a single 35-minute shot of a man's face to capture his facial expressions as he receives the sexual act depicted in the title. ...

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Arabesque for Kenneth Anger (1961)

Filmed at the Alhambra in Spain in just one day, according to Marie Menken. Arabesque for Kenneth Anger concentrates on visual details found in Moorish architecture and in ancient Spanish tile. The date 1961 refers to the addition of Teiji Ito's soundtrack ...

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Narcissus (1957)

A film poem, a re-telling of the Greek myth in modern terms. In the traditional pool the water has become muddy and Narcissus finds that mirrors are more rewarding for the study of his changing reflections. There are three mirrors, each reflecting a dramat ...

Watch Now

The Geography of the Body (1943)

A quotation from Aristophanes, "The desire and pursuit of the whole is called love," precedes views of a man and a woman's bodies, often in extreme close up. Off-screen, a voice recites fragments of oracular literature and purple prose. We see an eye, an e ...

Watch Now