Vicky Smith is associated with: Shedding
A performance for the Bolex camera in which dimensions of stasis and movement are physically enacted by filming at varying frame rates. A still figure, saturated with light, appears to be highly overexposed. As layers of the image dislodge and peel away it ...
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The film is a reflection on exposure, of skin to sun and of film to light and the environmental, ecological, social and hereditary factors that impact the aging process. Textures of the skin filmed in extreme close up appear in single or short frame bursts ...
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Conceived in relation to both the rapid decline of flying insects and the high recurrence of animation, Not (a) part is handmade or contact film that works with the subject and/or material of flying insects. Numerous dead bees found on walks were positione ...
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Primal is an abstract animation made directly onto unprocessed fogged negative by rubbing and scraping the film and releasing its light. The sounds are made by rustling materials against the microphone. ...
Watch NowMade with the mouth alone, 'Noisy Licking Dribbling + Spitting' is a direct animation that takes the idea of licking as a primary and semi-automatic action. Using the stained tongue as a tool and stamping pad, the first impression is made 40 frames (1 foot ...
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Skin and flesh erupt as memories penetrate and distort the surface and the film emulsion is also ripped open. ...
Watch NowAn exploration of intimacy and the material environment of the home, using paint, drawing and stop- motion. Bodies in contact, heavy and earthbound, distort, become more animated then spin and fly off into the cosmos. ...
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An innovative animation touching on a series of interlinked concerns around issues of intensive farming, animal slaughter, famine, the Food Mountains of the West and devastation of the rain forests. The reality of violence is represented by live action bla ...
Watch NowA performance for the Bolex camera in which dimensions of stasis and movement are physically enacted by filming at varying frame rates. A still figure, saturated with light, appears to be highly overexposed. As layers of the image dislodge and peel away it ...
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