Ugo La Pietra is associated with: Public Interventions for the City of Milan
The film is ironic about the lack of actions for transforming city spaces; the few actions undertaken are almost always limited to the positioning of "poles and chains": the temporary signs of a hypothetical transformation on the city. The film shows seque ...
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Among the protagonists of this film, made for the sixteenth Milan Triennial exhibition "Lo spazio audiovisivo", were Gau Aulenti, Vittorio Gregotti, Andrea Branzi, Bruno Munari, Nanda Vigo, Virgilio Vercelloni, Enzo Mari, Gianfranco Bettetini, Aldo Grassi, ...
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The film tries to demonstrate the way to regain possession of the city not so much with physical interventions but with behavioral and mental operations. "To live is to be at home everywhere: the phrase, almost a carousel slogan, opens the film as you star ...
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The film was made with successive images of La Pietra's face realised from 1938 to 1974, all continually compared with his face as was at that moment (1974). Through this sequence we have the sensation that for thirty-six years he has doggedly and slowly t ...
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The film, shot 'inside and outside' Milan's central station, uses this particular architecture as a model for discovering that within the environment we inhabit and work in, there almost never exists a relationship between space and its use. It pinpoints t ...
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Made on the occasion of the XV Triennale di Milano, the film was shot inside the Triennale which, empty, expresses the tension and expectation of an artist in front of his "big opportunity", finally called to express himself through a great exhibition in a ...
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The film expresses the difficulties artists come up against whenever they try out 'paths' that are outside the 'system'. All this is represented through this project and, therefore, through the realisation and use of a tool (Il Commutatore, 1970) with whic ...
Watch NowThe film was made with successive images of La Pietra's face realised from 1938 to 1974, all continually compared with his face as was at that moment (1974). Through this sequence we have the sensation that for thirty-six years he has doggedly and slowly t ...
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