Stéphane Breton is associated with: The First Days
On a stretch of desert coastline in northern Chile where it never rains, seaweed collectors live on a shoestring and live life to the fullest, in shacks surrounded by garbage cans and driving rickety cars. A happy vision of the simplicity of the world. ...
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They are just 20 years old and are fighting against the Islamic State in the Syrian Kurdish regions. In a region of the world where women normally have to walk three steps behind men, the fact that they are under arms together with their brothers is of par ...
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At the end of the road lies a track, the very last, a track swamped with the mud of a Siberian autumn, and at the end of this track lies a vast, dark forest which secretes those who have made this their final refuge, in hamlets that fray a little more with ...
Watch NowRussian people are passing before us during an endless train journey in winter. We lose ourselves in their speeches, gestures, faces, eyes. Anecdotes turn into admissions. Memory invades the compartment and seizes the empty spaces of the present. The train ...
Watch NowA collection of six documentary films featuring various locations and cultures of the world, screened at the Musée du Quai Branly from 18-23 May. ...
Watch NowIn a small valley in Nepal, at the end of a path worn out by so many feet and so many centuries, two old shepherds escape fromt their village to climb the mountains: shit everywhere, purity of heart, bedazzlement. ...
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A documentary with black-white imagery taken in West Papua (Indonesia). ...
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Shot like a western without a gun, at a drunkard's distance, the film takes place in New Mexico among an ancient Spanish community eaten to rack and ruin by rust, beer, and dust storms. ...
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Focused on his neighbours, Le Ciel dans un jardin continues the conversation, begun with the previous film, which is imbued with melancholy in the face of the impossibility of returning. This future mourning gives a particular colour to his observation, a ...
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Shot behind the scenes, from the point of view of a subjective camera, the film shows the ethnologist's ambiguous relations and negotiations with the people of his village in the mountains. ...
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