Rikurô Miyai

Party (1970)

Shadow (1968)

In Shadow (1968), Rikuro Miyai projects two films of his own shadow walking outdoors side-by-side—one positive, one negative—each a reflection of the other. ...

Phenomenology of Zeitgeist (1967)

Miyai layers ghostlike footage of unauthorized street performances in the Shinjuko district of Tokyo with color filters and lights. ...

Crazy Love (1968)

Correlated with Susan Sontag's theorization of kitsch as well as employing the queer lingo of "camp," this film's relentless equal opportunity pop-art montage shattered the foundations of conventional cinema, making it a true document of the Shinjuku under ...