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Reiko Minakami

Reiko Minakami is associated with: The Abalone Gals

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Movies Starring Reiko Minakami (36)

The Abalone Gals (1965)

South of Tokyo is a small island until quite recently relatively unchanged since feudal times. Now, however, it is being made into a tourist's playland and the girls, who had been abalone divers, now become geisha, and the old ways of the island are all to ...

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Seven Detectives: Find the Woman (1963)

This is the second installment in the Shichinin no Keiji police procedural series. ...

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Kyūjin ryokō (1962)

1962 Japanese movie ...

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Ai to kanashimi to (1962)

1962 Japanese movie ...

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Our Marriage (1962)

When two sisters fall in love with the same man, one must decide to look elsewhere. ...

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The Inheritance (1962)

A dying businessman intends to will ¥200 million to his three illegitimate children, but his associates scheme to take advantage of the situation. ...

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The Strangers Upstairs (1961)

After moving in to their dream home, newlyweds decide to rent out their second floor to save money. They soon discover the woe of being landlords. ...

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Hikkoshi yatsure (1961)

Manao Horiuchi movie ...

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Zero Focus (1961)

One week into newlywed Teiko Uhara's marriage, her husband, Kenichi, leaves on a short business trip and never returns. Teiko travels across Japan to search for him, and along the way discovers some surprising facts about her husband's past. With only a pa ...

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Youth in Fury (1960)

A reckless student contemplates terrorism in a prescient film that confirmed Shinoda as a fearless member of Shochiku's iconoclastic New Wave. At the height of student protests, Shimojo takes his aggressions to another level, beset by seemingly insoluble f ...

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White Blaze (1958)

A masterpiece depicting the true feelings, grief and joy of a woman. An adaptation of the novel of the same name by Yasushi Inoue. ...

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I Will Buy You (1956)

A talent scout moves sharply, dead-set on signing a promising baseball player to The Toyko Flowers. ...

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Fountainhead (1956)

A botanist woos the secretary of an industrialist whose company threatens the local water supply. ...

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The Refugee (1955)

A Chinese medical student named Gan Shosho finds himself cut off from his homeland as he is studying in Japan during the outbreak of the war. Despite his difficult circumstances, he finds love in the form of Sachiko and the two marry. They later travel to ...

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Monster with Twenty Faces (1954)

Edogawa Rampo's famous detective, part 1 ...

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Always in My Heart (1953)

Machiko Ujiie and Haruki Atomiya first meet and fall in love on Ginza's Sukiyabashi Bridge during the Great Tokyo Air Raid in March 1945. Machiko and Haruki pledge to meet again at the bridge in six months but part without asking each other's names. ...

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Aiyoku no sabaki (1953)

Motoko Fujikawa works in the Seisen Church as an assistant to pastor Maki Inokichi. Motoko falls in love with Inokichi's virtuous character and devotes herself to the rehabilitation of a delinquent girl, gradually finding her job at the institution more wo ...

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Sisters (1953)

Three beautiful daughters grew up in a dog and cat care clinic. The eldest was named Takako (Keiko Tsushima), the second was Tsugumi (Keiko Awaji), and the third was Mihato (Hibari Misora). Mihato was still a pretty seventeen-year-old girl, but she conside ...

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Sincere Heart (1953)

A young student falls for an invalid girl whom he can only see from afar. ...

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Modern People (1952)

A section chief at the Bureau of Construction is in a shady relationship with a construction company. Then a new, young and honest subordinate is assigned to work under the section chief. Once he learns about the shady relationship, however, the new subord ...

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Hibari's Circus: The Sad Little Dove (1952)

Mariko studies at a missionary school in Shinshu. She drops out of school and joins her father on a circus tour when she discovers that her father, Ryutaro, whom she always thought was an agricultural and forestry engineer, was a circus clown. Over time, M ...

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Doctor's Day Off (1952)

Having completed the first year at his new medical practice, a doctor plans to relax on his day off. However, it is not to be: on this hectic day a man just back from the war front visits the doctor with a medical emergency, followed by a woman who claims ...

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Home Sweet Home (1951)

The Ueki family may not be wealthy, but smiles are never in short supply. The father is awarded prize money for 25 years of service to his workplace, but has it stolen on the way home from the ceremony... ...

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Slope of the Ringing Bell Hill: The Third Volume (1949)

The adventures of a demobilised soldier and a group of war orphans under his care on Ringing Bell Hill. Third installment of a wartime film trilogy. ...

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A Hen in the Wind (1948)

Tokiko patiently awaits her husband's return from WWII when her four-year old son falls ill. She takes him to the doctor but has no means of paying, so she resorts to prostitution. A month later, her husband returns to find his desperate wife, who tells hi ...

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The Ball at the Anjo House (1947)

After Japan's defeat in the war, the Anjo family lose their peerage and wealth. Since their mansion is due to pass into the hands of a creditor, the family holds one last ball before leaving. ...

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Women in Tokyo (1939)

This is the story of a woman who enters the world of sales. She works at a company in Ginza as a typist. She determines that she needs money for her family and herself and asks her co-worker, who is a salesman, for guidance on sales. Armed with the informa ...

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Fallen Blossoms (1938)

Set against the backdrop of an imperial victory in the civil war leading up to the Meiji Restoration, Fallen Blossoms tells the story of the sorrows of women in a geisha house in Kyoto by recounting the relationships of its inhabitants. ...

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Mother's Melody (1937)

The prewar film Haha no kyoku (Mother's Melody, 1937) is known for its place in Japanese film history as one of the top three melodramas as well as for its authorship: Yamamoto Satsuo is an auteur not usually associated with filming melodramas. Yamamoto ma ...

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A Woman's Sorrows (1937)

Young Hiroko's conservative principles place her at odds with most modern women, as she has already submitted to her mother's choice of man for any marriage prospect. Wed into an affluent family that practically treats her as a housemaid, locked away like ...

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