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Peter Kubelka

Peter Kubelka

Peter Kubelka (born 23 March 1934 in Vienna, Austria) is an Austrian experimental filmmaker, architect, musician, curator and lecturer. His films are primarily short experiment in linking seemingly disparate sound and images. He is best known for his 1966 avant-garde classic, Our trip to Africa (Our Trip to Africa).

Kubelka made 16mm films, mostly shorts, and is known for his 1960 film Arnulf Rainer, a "flicker film" which alternates black and clear film that is projected to create a "flicker" effect. Kubelka, therefore, designed the Anthology Film Archives custom film screening space in the 1970s in New York. The theater had highly raked (tiered) seating with a cowel over each seat and visual barriers between each seat so that the audience member was totally isolated visually from other patrons. The theatre what is painted black and the seating what is covered in black velvet. The only light in the room between film showings came from a spotlight aimed at the screen, thus ensuring that the only light in the room came from the screen. The design is illustrative of the purist aesthetic of the Avant Garde film movement of that era.

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Movies Starring Peter Kubelka (22)

What Is Happening? Art in the Life of Gertie Fröhlich (2024)

n 2018, director Marieli Fröhlich initiated a documentary about her mother, the artist Gertie Fröhlich. The director interviews over 20 artists, friends, and former collaborators whose recollections unveil the themes and the controversy surrounding Gert ...

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Cinema Austria, the first 112 Years (2020)

This historical and analytical documentary draws attention to the background of the roots of "New Austrian Cinema" and presents Austria as a film country to be taken seriously. The audience gets to see rare early works by well-known filmmakers as well as ...

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EXPRMNTL (2016)

Knokke, Belgium. A small mundane coastal town, home to the beau-monde. To compete with Venice and Cannes, the posh casino hosts the second 'World Festival of Film and the Arts' in 1949, organised in part by the Royal Cinematheque of Belgium. ...

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Fragments of Kubelka (2012)

This epic documentary subtly introduces the complex worldview of iconic filmmaker and theoretician Peter Kubelka (born 1934, Vienna). While Kubelka's radical and pioneering body of films is a highly condensed work of about an hour, focusing on the essence ...

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Free Radicals: A History of Experimental Film (2011)

Experimental filmmaker Pip Chodorov traces the course of experimental film in America, taking the very personal point of view of someone who grew up as part of the experimental film community. ...

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Cyclopean 3D: Life with a Beautiful Woman (2011)

A young woman stands by a car while scenes from metropolitan life flash by. ...

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365 Day Project (2007)

This exhibition focuses on Jonas Mekas' 365 Day Project, a succession of films and videos in calendar form. Every day as of January 1st, 2007 and for an entire year, as indicated in the title, a large public (the artist's friends, as well as unknowns) were ...

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Notes on Marie Menken (2006)

A look at avant-garde filmmaker Marie Menken. ...

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Scenes from the Life of Hermann Nitsch (2005)

A casual, personal portrait of Hermann Nitsch, made with footage I took over the many years of our friendship. Footage includes early performances in New York, images of Hermann shortly after the acquisition of the Prinzendorf monastery, which since has be ...

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Restoring 'Entuziazm' (2005)

A documentary on the restoration of Dziga Vertov's Entuziazm: Simfoniya Donbassa (1931). ...

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As I Was Moving Ahead, Occasionally I Saw Brief Glimpses of Beauty (2000)

A compilation of over 30 years of private home movie footage shot by Lithuanian-American avant-garde director Jonas Mekas, assembled by Mekas "purely by chance", without concern for chronological order. ...

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Birth of a Nation (1997)

Jonas Mekas assembles 160 portraits, appearances, and fleeting sketches of underground and independent filmmakers captured between 1955 and 1996. Fast-paced and archival in spirit, the film celebrates the avant-garde as its own "nation of cinema," a vital ...

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Peter Kubelka at the Library of Congress (1993)

An historic event: Peter Kubelka gives a lecture at the Library of Congress. ...

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He Stands in a Desert Counting the Seconds of His Life (1986)

A film collage tracing the story of the lives, loves, and deaths within the artistic community surrounding Jonas Mekas. ...

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Home Movies 1971-81 (1985)

Home movies shot on Super 8mm by W+B Hein over 10 years. ...

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Cinématon XXX (1984)

Reel 30 of Gérard Courant's on-going Cinematon series. ...

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Paradise Not Yet Lost (1979)

The film is arranged in six chronologically-ordered parts, each filmed in a different location during Oona's third year. ...

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Cinématon (1978)

Cinématon is a 156-hour long experimental film by French director Gérard Courant. It was the longest film ever released until 2011. Composed over 36 years from 1978 until 2006, it consists of a series of over 2,821 silent vignettes (cinématons), each 3 ...

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Four Shadows (1978)

Four four-minute image sections and four four-minute sound sections are linked in all combinations of the sound sections with each of the image sections. This established affinities between each of the image sections to the others, and the sound sections t ...

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Reminiscences of a Journey to Lithuania (1972)

Jonas Mekas weaves an elegiac diary film from his 1971–72 return to Lithuania, chronicling a visit to his birthplace of Semeniškiai after decades in exile. Blending personal memory with documentary observation, the film becomes both a portrait of homeco ...

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Diaries, Notes, and Sketches (1968)

Also known as Walden, Jonas Mekas's first diary film is a six-reel chronicle of his life in 1960s New York, interweaving moments with family, friends, lovers, and artistic idols. Blending everyday encounters with portraits of the avant-garde art scene, it ...

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23rd Psalm Branch: Part II (1967)

The second part: Brakhage's layering of images spends less time with images of war, and begins filtering in scenes of Vienna and his home in Colorado. He sets up a comparison between "Kubelka's Vienna" and his own. ...

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Movies Made By Peter Kubelka (10)

Antiphon (2012)

Antiphon is constituted by the same 4 basic elements of cinema, light and darkness, sound and silence, as is my film Arnulf Rainer but it has the opposite form. Negative becomes positive, positive becomes negative, silence becomes sound, sound becomes sile ...

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Monument Film (2012)

Arnulf Rainer—every which way but loose. ...

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Poetry and Truth (2004)

Discarded takes from advertising films are presented almost untouched, as documents that unwittingly offer valuable and humorous insights into the human condition. ...

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Pause! (1977)

Short film by Peter Kubelka. Arnulf Rainer contorts his mind and body before the camera. ...

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Our Trip to Africa (1966)

Originally commissioned by an Austrian couple in 1961 to photograph a travel diary documenting their wild game hunt, Kubelka shot three hours of film and recorded fourteen hours of audio. Over the next few years, Kubelka toiled in the editing bay, produci ...

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Arnulf Rainer (1960)

An experimental film, the last in Peter Kubelka's trilogy of "metric films". Each frame of Arnulf Rainer is composed of darkness or light and silence or sound. ...

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Adebar (1958)

Adebar is the first of Peter Kubelka's 'metric films', in which every element of the composition is precisely ordered and in relation to the gestalt. The film is made up of single units---13, 26 and 52 frames long---which are subjected to a complex rule-sy ...

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Schwechater (1958)

In 1957, Peter Kubelka was hired to make a short commercial for Schwechater beer. The beer company undoubtedly thought they were commissioning a film that would help them sell their beers; Kubelka had other ideas. He shot his film with a camera that did no ...

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Mosaic in Trust (1955)

In his first film work, Kubelka evokes episodes of flirtation, courtship, and break-ups, played out against a series of non-corresponding audio excerpts. ...

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