Parvaneh Navaï

Chutes de Midi (1985)

Discarded images from the movie "Midi" (1985) mounted to give rise to a new film. ...

Chutes de Maya (1984)

Outtakes from Maya (1979). ...

Selva. A Portrait of Parvaneh Navaï (1982)

Trance dances and out of body projection. In front of the camera, Parvaneh Navaï becomes a mediator who enters in contact with and immerses into the energies of Nature, while her own energy radiates and echos in the forest ("selva"). The camera amplifies ...

Unheimlich II: Astarti (1980)

Astarti, the Greek name for Ishtar, is an archetype of a deep, nocturnal feminine that emerges from subterranean darkness. We experience an embodied cinematic experience realised through a sensuous aesthetic as we are invited to enter a strange and uncerta ...

Maya (1979)

Hymn to nature, song to the cosmos, Mâyâ builds a world where the camera generates a new type of representation in which the depth of field is reduced to the essential. Everything happens, in a way, on the same surface. ...

J'aime (1978)

Maya (1979)

Hymn to nature, song to the cosmos, Mâyâ builds a world where the camera generates a new type of representation in which the depth of field is reduced to the essential. Everything happens, in a way, on the same surface. ...