Norberto Aroldi

¿Los piolas no se casan…? (1981)

The story revolves around Bebe (Santiago Bal) and Cacho (Tristan), two typical neighborhood boys who live different misfortunes in their constant search to conquer women. Bebe is half a blackmail and thinks he knows how to do them all, while Cacho is more ...

El divorcio está de moda (de común acuerdo) (1978)

The failure of a marriage and its consequences in the family. ...

That's life (1977)

Tells the story, in the key of comedy of customs, of a typical bourgeois home in Buenos Aires for three decades. ...

Los chantas (1975)

Several losers living together in a Buenos Aires boarding house try to make a living while dreaming of a big life-changing score. ...

En el gran circo (1974)

Adiós Alejandra (1973)

El mundo que inventamos (1973)

A provincial man comes to the big city and finds true love. ...

Mi amigo Luis (1972)

The story is based on the cadets of the Military College and their relationship with an older officer (1st Lieutenant) whom they see as a father. ...

Vuelvo a vivir...vuelvo a cantar (1971)

A young man is tempted by a wealthy woman to leave his girlfriend. ...

Balada para un mochilero (1971)

Those Crazy Years (1971)

The son of a businessman leaves his home to be an actor, but when his father dies, he abandons his dream to become an executive. ...

Con alma y vida (1970)

Amalio Reyes, un hombre (1970)

Some years from the life of a neighborhood tough in Buenos Aires around 1915. ...

Los muchachos de mi barrio (1970)

Lito Ugarte, a successful singer, returns to the country where he was born. He comes back to the city where he grew up, reuniting with his old-time friends. ...

El salame (1969)

A submissive and unhappy man is mistaken for a famous assailant and people who despised him begin to respect him. ...

Amor libre (1969)

A beautiful young girl tired of waiting for his boyfriend to propose to her, will generate a series of amorous misunderstandings. ...

Yesterday's Boys Didn't Use Hair Fixers (1969)

The romance between a young man from a wealthy family and the dancer from a place of fun. ...

We Are the Best (1968)

A group of porteños attend the grand final between Manchester and Estudiantes. ...

Lo prohibido está de moda (1968)

Different porteño arquetypes and their views on sex. ...

El andador (1967)

A late pregnancy disrupts the routine of a mature marriage. ...

Escándalo en la familia (1967)

A veteran popular singer comes to town with her daughter in order to achieve success in television. She introduces her daughter to a contest winning one of the top prizes. At the same time, a veteran politician is campaigning to scale the governor's office ...

Aconcagua (1964)

Life in a detachment at the foot of the mountain range is altered by an accident and by a woman. ...

El fantástico mundo de la María Montiel (1978)

A girl and her fantasy universe in the brick ovens. ...

El divorcio está de moda (de común acuerdo) (1978)

The failure of a marriage and its consequences in the family. ...

Los chantas (1975)

Several losers living together in a Buenos Aires boarding house try to make a living while dreaming of a big life-changing score. ...

The Naked Beast (1971)

The police, led by Inspector Ibanez, are baffled by the murders of several attractive female dancers who all work on a musical TV show that features a horror-themed tableaux. ...

Con alma y vida (1970)

El salame (1969)

A submissive and unhappy man is mistaken for a famous assailant and people who despised him begin to respect him. ...

Lo prohibido está de moda (1968)

Different porteño arquetypes and their views on sex. ...

Pobres habrá siempre (1958)

"Pobres habrá siempre" is a rarity within Argentine cinema for many reasons. Its theme is the rebellion of a group of meatpacking workers around 1935 and the several reasons that justified it, but the film was shot at a time when workers and union struggl ...