Nina Danino

Nina Danino was born in Gibraltar and studied Foundation and Painting at St. Martin’s School of Art (1973-1977) and Environmental Media at the Royal College of Art (1979-1981) London, where she used slide/tape and 16mm film. In the multi-media, two screen work, First Memory (1980-1981) she combined the subjective voice and narrative with formal and structural approaches to the moving and still image as a means of enabling a feminine perspective.

She made 16mm experimental films in the ambit of the London Filmmakers’ Co-op. Her films 1981-1987 combined elliptical and observational narrative to inscribe and defer the representation of the woman. Her films 1990-1997 mix religious iconography with psychoanalysis as a discourse and the use of performative voice and song. Stabat Mater (1990) is considered a seminal film of the British avant-garde. Her films “lead us on journeys through altered states, religious experiences and emotional landscapes,sometimes to the edge of the representable” (Helen De Witt). In her film soundtracks she has collaborated with singers including New York experimental vocalist Shelley Hirsch in “Now I am yours” (1993) with Tuvan vocalist Sainkho Namtchylak and English soprano Catherine Bott in the landscape feature film Temenos (1997).