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Nam June Paik

Nam June Paik

Nam June Paik was the first video artist who experimented with electronic media and made a profound impact on the art of video and television. He coined the phrase "Information Superhighway" in 1974, and has been called the "father of video art.

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Movies Made By Nam June Paik (39)

Fluxfilm Anthology 1962-1970 (2010)

Feature-length compilation program presenting 37 out of 41 original fluxfilms produced and directed in the 1960s by Fluxus artists, including George Maciunas, Nam June Paik, Yoko Ono, Robert Watts, Paul Sharits, et al. ...

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Analogue Assemblage (2000)

Drawing from Paik's earliest experiments with video synthesizers, Analogue Assemblage employs current technology to create a multilayered montage that references both the old and the new. The eerie 1969 electronic score floats over ghostly image processing ...

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"Topless Cellist" Charlotte Moorman (1995)

Nam June Paik's first single-channel videotape since 1989 is a heartfelt tribute to his long-time collaborator Charlotte Moorman. This portrait traces Moorman's career as an avant-garde performer, from her classical training to her notorious arrest as the ...

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Video Commune (Beatles from Beginning to End) (1992)

Video Commune is Jud Yalkut's free-form documentation of Nam June Paik's first interactive television "performance" at the public television station WGBH in Boston. Subtitled "Beatles from Beginning to End," this was a live broadcast in which Paik created ...

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Beuys (1990)

Beuys Projection, 1990 ...

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Living with the Living Theatre (1989)

One of Paik's most compelling and poignant tapes, Living with the Living Theatre pays tribute to Judith Malina and the late Julien Beck, founder of the Living Theatre. Reversing the theme of the earlier Allan 'n' Allen's Complaint, which dealt with two art ...

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Wrap around the World (1988)

This spectacular satellite link-up, coordinated by Paik, connected the United States, Brazil, France, Germany, Ireland, Israel, Japan and numerous other countries. David Bowie performs with La, La, La, Human Steps, and carries out a conversation via satell ...

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Bye Bye Kipling (1986)

This ambitious live satellite link-up of Japan, Korea and the United States features interviews with Keith Haring and architect Arata Isozaki, and performances and works by Philip Glass and the Kodo Drummers, Charlotte Moorman, Nam June Paik, and Lou Reed. ...

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Adelic Penguins (1986)

Originally commissioned by the Sony Corporation of Japan and performed live on the JumboTRON, a fourteen-story TV set at the Expo in Tsukuba, Japan, Adelic Penguins is a collaboration between Fitzgerald, artist Paul Garrin, and composer Ryuichi Sakamoto (w ...

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All Star Video (1985)

A compilation of avant-garde artwork and talent of the mid to late 20th century hosted by Ryuichi Sakamoto. ...

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Good Morning, Mr. Orwell (1984)

In his book "1984", George Orwell saw the television of the future as a control instrument in the hands of Big Brother. Right at the start of the much-anticipated Orwellian year, Paik and Co. were keen to demonstrate satellite TV's ability to serve positiv ...

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Allan ‘n Allen’s Complaint (1982)

The influence of Jewish fathers on their sons and the complexity of familial relationships are explored in a witty, poignant portrait of two artists. Beat poet Allen Ginsberg (whose father Louis was a poet in his own right) and performance artist/sculptor ...

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Lake Placid '80 (1980)

Paik produced this exuberant, high-speed collage as a commission for the National Fine Arts Committee of the 1980 Olympic Winter Games. In a fractured explosion of densely layered movement and action, images of Olympic sports events are mixed with Paik's r ...

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Media Shuttle: New York - Moscow (1978)

Collaboration with Nam June Paik and Dimitri Devyatkin, combining footage from the US and Russia: Brezhnev on TV, a May Day parade, veterans in the park. The film was shown internationally in New York. ...

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Merce by Merce by Paik (1978)

Merce by Merce by Paik is a two-part tribute to choreographer Merce Cunningham and artist Marcel Duchamp. The first section, "Blue Studio: Five Segments", is a work of video-dance produced by Merce Cunningham and videomaker Charles Atlas. The second part, ...

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Guadalcanal Requiem (1977)

One of Paik's most overtly political and poignant statements, Guadalcanal Requiem is a performance/documentary collage that confronts history, time, cultural memory and mythology on the site of one of World War II's most devastating battles. ...

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A Tribute to John Cage (1976)

A Tribute to John Cage is Paik's homage to avant-garde composer John Cage. A major figure in contemporary art and music, Cage was one of the primary influences on Paik's work, as well as his friend and frequent collaborator. In this multifaceted portrait, ...

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Suite 212 (1974)

Suite 212 is Paik's "personal New York sketchbook," an electronic collage that presents multiple perspectives of New York's media landscape as a fragmented tour of the city. Paik critiques the selling of New York by multinational corporations and the city' ...

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TV Buddha (1974)

One of Nam June Paik's most iconic works, TV Buddha expresses the contrasts and parallels between East and West and between technology and spirituality in a very simple and direct way. A CCTV camera films a Buddha statue, which Paik bought from an antique ...

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TV Garden (1974)

TV Garden is Paik's imagined future landscape where technology is an integral part of the natural world. Placing television sets amongst live plants, he creates an environment in which the seemingly distinct realms of electronics and nature coexist. His ap ...

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Global Groove (1973)

Global Groove was a collaborative piece by Nam June Paik and John Godfrey. Paik, amongst other artists who shared the same vision in the 1960s, saw the potential in the television beyond it being a one-sided medium to present programs and commercials. Inst ...

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Electronic Yoga (1972)

Part of the "Video-Film Concert" collection on EAI. From 1966 - 1972. Music by K. S. Narayanaswami. ...

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Cinema Metaphysique No. 1-5 (1972)

This early work belongs in the company of Paik and Yalkut's classic collaborative "video-films," including Video Tape Study No. 3, Beatles Electronique, and Missa of Zen. To the accompaniment of the abrupt sonic interjections of Fluxus-affiliated composer ...

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TV Cello Premiere (1971)

TV Cello Premiere is a silent film documentation of Charlotte Moorman in her first performance on Paik's eponymous TV Cello at the Bonino Gallery in New York in 1971. ...

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The Medium Is the Medium (1969)

Produced by WGBH-TV in Boston, the Medium Is the Medium is one of the earliest and most prescient examples of the collaboration between public television and the emerging field of video art in the U.S. WGBH commissioned artists — Allan Kaprow, Nam June P ...

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Electronic Opera no. 1 (1969)

Nam June Paik's Electronic Opera no. 1 first aired in 1969 as part of The Medium is the Medium, a special "artist transmission" commissioned by WGBH-Boston featuring experimental segments by Paik and artists Allan Kaprow, Otto Piene, James Seawright, Thoma ...

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Beatles Electroniques (1969)

Part of a collection of restored early works by Nam June Paik, the haunting Beatles Electronique reveals Paik's engagement with manipulation of pop icons and electronic images. Snippets of footage from A Hard Day's Night are countered with Paik's early ele ...

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Early Color TV Manipulations (1968)

Marked by a playful, irreverent sense of improvisation and experimentation, these experiments with image manipulation and synthesis form a link between Paik's performance and sculptural works of the 1950s and early 1960s and the celebrated video works and ...

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Videotape Study No. 3 (1967)

Part of a collection of restored early works by Nam June Paik and Jud Yalkut, this piece is historically significant as well as remarkably prescient. Video Tape Study No.3 is a direct media intervention, in which Paik distorts and manipulates footage from ...

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Missa of Zen (1967)

In Missa of Zen, a TV screen, filmed from an extremely oblique angle, appears as a ghostly, flickering sliver at the side of a darkened frame. The images playing across its surface are rendered abstract by the perspective: we witness the transmission of in ...

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Digital Experiment at Bell Labs (1967)

Using Bell Lab's pioneering research facilities, Paik creates a starkly minimal experiment in computer imaging, in which a shifting dot appears on a black ground. ...

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Electronic Moon No. 2 (1966)

Part of the "Video-Film Concert" collection released by EAI. From 1966 - 1972. ...

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Waiting for Commercials (1966)

Waiting for Commercials is a hilarious compendium of Japanese TV commercials. "Beckett wrote 'Waiting for Godot' twenty years ago, but instead of Godot, TV commercial after TV commercial arrived". This early example of Paik's use of appropriated television ...

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Electronic Fables (1965)

Part of a restored collection of rare early works by Nam June Paik, Electronic Fables is an example of Paik's early improvisations and experiments with electronic image manipulation, prior to his invention of the Paik/Abe Video Synthesizer. This piece also ...

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Button Happening (1965)

Button Happening is Nam June Paik's earliest extant tape, and possibly his first tape ever. Recorded in 1965 on the day he acquired his first Sony Portapak camera, this previously unknown work has recently been rediscovered and restored. Recorded on comput ...

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Magnet TV (1965)

Magnet TV is an early example of Nam June Paik's "prepared televisions," in which he altered the television image or its physical casing. This work, which was featured in Paik's first solo exhibition in New York, consists of a seventeen-inch black-and-whit ...

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Zen for Film (1964)

In an endless loop, unexposed film runs through the projector. The resulting projected image shows a surface illuminated by a bright light, occasionally altered by the appearance of scratches and dust particles in the surface of the damaged film material. ...

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Movies Starring Nam June Paik (26)

Nam June Paik: Moon Is the Oldest TV (2023)

The quixotic journey of Nam June Paik, one of the most famous Asian artists of the 20th century, who revolutionized the use of technology as an artistic canvas and prophesied both the fascist tendencies and intercultural understanding that would arise from ...

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Kill Your TV: Jim Moir’s Weird World of Video Art (2019)

Jim Moir (aka Vic Reeves) explores Video Art, revealing how different generations 'hacked' the tools of television to pioneer new ways of creating art that can be beautiful, bewildering and wildly experimental. ...

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George: The Story of George Maciunas and Fluxus (2018)

In 1961 Lithuanian American artist and impresario George Maciunas established the avant-garde art movement Fluxus. George details the rise of Fluxus following a sensationalized tour of "concerts" in Europe in 1962, and continuing in New York for most of th ...

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Re: Maciunas and Fluxus (2011)

"Drawing on his personal archives, Mekas has assembled a Fluxus vaudeville starring Yoko Ono, Joseph Beuys, and the late Nam June Paik. Most of the material is relatively recent although Ben Vautieur shows some early 1960s work to hilarious effect and Meka ...

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365 Day Project (2007)

This exhibition focuses on Jonas Mekas' 365 Day Project, a succession of films and videos in calendar form. Every day as of January 1st, 2007 and for an entire year, as indicated in the title, a large public (the artist's friends, as well as unknowns) were ...

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Nam June Paik: Lessons from the Video Master (2006)

Friends and colleagues (including Yoko Ono and Merce Cunningham) of Nam June Paik share their thoughts about the groundbreaking multimedia artist in this series of candid interviews filmed by Skip Blumberg at Paik's memorial service. This tribute to Paik a ...

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As I Was Moving Ahead, Occasionally I Saw Brief Glimpses of Beauty (2000)

A compilation of over 30 years of private home movie footage shot by Lithuanian-American avant-garde director Jonas Mekas, assembled by Mekas "purely by chance", without concern for chronological order. ...

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"Topless Cellist" Charlotte Moorman (1995)

Nam June Paik's first single-channel videotape since 1989 is a heartfelt tribute to his long-time collaborator Charlotte Moorman. This portrait traces Moorman's career as an avant-garde performer, from her classical training to her notorious arrest as the ...

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Back to Fucking Cambridge (1987)

About a group of graduates from Cambridge University who go back to their college to visit a friend who has stayed on there. Otto Muehl founded a community of artists in Vienna in 1970 with the aim of exploring a completely free life practice. Since 1972, ...

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Bye Bye Kipling (1986)

This ambitious live satellite link-up of Japan, Korea and the United States features interviews with Keith Haring and architect Arata Isozaki, and performances and works by Philip Glass and the Kodo Drummers, Charlotte Moorman, Nam June Paik, and Lou Reed. ...

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He Stands in a Desert Counting the Seconds of His Life (1986)

A film collage tracing the story of the lives, loves, and deaths within the artistic community surrounding Jonas Mekas. ...

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All Star Video (1985)

A compilation of avant-garde artwork and talent of the mid to late 20th century hosted by Ryuichi Sakamoto. ...

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Home Movies 1971-81 (1985)

Home movies shot on Super 8mm by W+B Hein over 10 years. ...

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Persistence of Vision (1984)

A short documentary profile of the Anthology Film Archives, shot on the eve of the move to the historic 2nd Avenue Courthouse. Staff and patrons are interviewed, and films preserved by Anthology are spotlighted. ...

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Flux-Concert (1979)

On March 24, 1979, The Kitchen presented a two-part program dedicated to the work of various Fluxus artists. The programming began with the premiere of Alison Knowles's "Natural Assemblages and the True Crow." For the piece, Knowles engaged in a dialogue w ...

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A Tribute to John Cage (1976)

A Tribute to John Cage is Paik's homage to avant-garde composer John Cage. A major figure in contemporary art and music, Cage was one of the primary influences on Paik's work, as well as his friend and frequent collaborator. In this multifaceted portrait, ...

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Video: The New Wave (1975)

The New Wave is the seminal compendium of independent video work in the early 1970s. Written and narrated by Brian O'Doherty, this overview of the emerging video field includes examples of guerrilla television and "street" documentaries, early explorations ...

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Nam June Paik: Edited for Television (1975)

Produced for public television station WNET/Thirteen in New York, Nam June Paik: Edited for Television is a provocative portrait of the artist, his work and philosophies. This fascinating document features an interview of Paik by art critic Calvin Tompkins ...

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‘Rameau’s Nephew’ by Diderot (Thanx to Dennis Young) by Wilma Schoen (1974)

Various unrelated vignettes, often juxtaposing sound and image. ...

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26'1.1499" For A String Player (1973)

This tape is Jud Yalkut's video realization of Charlotte Moorman and Nam June Paik's concert performance of John Cage's composition 26'1.1499" For String Player. In this extraordinary performance, which is manipulated and synthesized by Yalkut, Paik and Mo ...

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Seminar (1969)

An unreleased diary film shot during the Fairleigh-Dickinson Artist Seminar simultaneous to the production of Back and Forth by Michael Snow. ...

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Kunst und Ketchup (1966)

Early documentary about the pop art scene and happenings in Germany. ...

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P+A-I(k) (1966)

1966, 16mm film on video, black-and-white and color; 10 minutes ...

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Hi-Red Centre Shelter Plan (1964)

Hi-Red Centre were comprised of Genpei Akasegawa, Natsuyuki Nakanishi and Jiro Takamatsu, who enacted 'happening'-style performance art in unusual spaces during the early 1960s in Japan. The film is an extremely rare document of one of their early events, ...

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Stockhausen's Originale: Doubletakes (1964)

This fascinating film documents the U.S. premiere production of Originale, a Happening by German composer Karlheinz Stockhausen. Filmed at the "2nd Annual Avant Garde Festival of New York," which was produced by Norman Seaman and Charlotte Moorman, the sta ...

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Nam June Paik (1962)

Short film about performance, realized when Nam June Paik participated in Karlheinz Stockhausen's piece "Originale" in Cologne in 1961. ...

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