Motoharu Jônouchi is associated with: Shinjuku Station
The Shinjuku district was the epicentre of Tokyo's art scene and the political fever pitch where protests took place on a regular basis during the 1960s. Jonouchi's compilation footage of the area defies documentary imagery and transforms itself into somet ...
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Documents the first demonstration that took place in front of the Nihon University in May of 1968. This is the first work in the "Gewaltpia" series centered around the new student movement that emerged around 1968 in Japan. ...
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"A work documenting the VAN Film Science Research Center's space before shut down. VAN, which Jonouchi was a member, was established by the original and new members of the Nihon University Film Study Club (Nichidai Eiken) in Ogikubo section of Tokyo in 196 ...
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This work is an extension of Jonouchi's documentation of Hi-Red Center's performance event, Shelter Plan (1964). Using the same unique shooting and editing techniques adopted in the Gewaltpia series, Jonouchi put on record the process of destruction of Fra ...
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The late 1960s saw Japan in a fever pitch of political agitation where student protests were a frequent occurrence. A somewhat timely insight into radical protest and mass meetings from almost half a century ago, the film reveals the aftermath of protests ...
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The title Gewaltopia Trailer has a dual meaning in the Japanese language; one meaning for the word yokoku (trailer) could mean a compilation of extracts to promote a film, but it can also mean a prediction, a prophecy for the future as a Gewaltopia. The fi ...
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"A work documenting Ankoku Butoh dancer Tatsuji Hijikata's Revolt of the Flesh (Nikutai no hanran). The work established the relation between Revolt of the Flesh with uprising through the unique methods of photography and editing that is found in Jonouchi' ...
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Jonouchi, who documented various artists' performances and events, turned the camera onto himself cutting his hair. Using the experimental methods Jonouchi incorporated in his past works, he painted a private space and time by way of portrayal of his own b ...
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Wols is the pseudonym for a German artist active in the early 20th century, Alfred Otto Wolfgang Schulze, and Jonouchi meticulously filmed nearly fifty of his paintings to construct this cine-collage. The result is reminiscent of Alain Resnais' rendition o ...
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Hi-Red Centre were comprised of Genpei Akasegawa, Natsuyuki Nakanishi and Jiro Takamatsu, who enacted 'happening'-style performance art in unusual spaces during the early 1960s in Japan. The film is an extremely rare document of one of their early events, ...
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Experimental film by Motoharu Jonouchi comprised of both archival footage from the 1960s Japanese student riots and dramatised re-enactions. It was created as a tribute to Michiko Kamba, a student victim of the riots. ...
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"A film describing some unusual acts by youths attempting to break out of the stifling patterns of culture... daydreaming that yields them nothing. A mob of children enact a burial rite; the place of the 'corpse' is taken by one of the rebellious youths... ...
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It's said that people die twice. The first death is a physical one and the second, true death comes when there is no one to remember that person. ...
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The Stormy Times is a collection of three short films created as a series of visual poems (Dream Running, Grasshopper's One-Game Match, andWe Can Hear Joe's Poem). Katsu Kanai screened this films together, along with extra documentary footage, as a memoria ...
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This extraordinary documentary is an unflinching record of the workers' struggle during Japan's economic rebirth in the 1980s, centered on Tokyo's Sanya "yoseba"—a slum community dating from the 19th century where day laborers lived in terrible condition ...
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A popular poet, Goku, becomes depressed when his editor jokingly suggests that he is a sell-out. ...
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