Monica Carpiaux is associated with: Esmeralda
With Esmeralda, Hernandez shifts to the romantic mythology, but this descriptive aspect is secondary in the filmmaker's work, whose purpose is the constitution, by interposed myths, of a baroque cinematographic language. From this point of view, he joins t ...
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All of history, that of Christ or any other, permeates the world, leaves its mark, modifying and informing history, and all that the human reproduces and creates. The best way for historical interpretation or literary adaptation is to move as far as possib ...
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A personal interpretation of Oscar Wilde Salome from three basic elements: the light, the color, and the projection speed. ...
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