María Ruido

A REVOLUCIÓN (É) PROBABLE (2022)

Estado de malestar (2019)

Mater Amatisima (2017)

Given the fetishizing and normalizing character that is given to motherhood in patriarchy in order to perpetuate the social order, do we truly choose to be mothers? Why is care, of fundamental vital labor, presupposed as an especially appropriate task for ...

La memoria interior (2002)

Through the narration of my family's history, it delves into the memory of the recent emigration from the spanish state to Europe, and reflects on the mechanisms of oblivion and remembrance, by recuperating the idea of the construction of memory as a nexus ...

The Human Voice (1997)

The artist sits in a chair in front of a table and, looking at the camera, cuts tape to turn on a radio in which a pre-recorded speech sounds with which she tries to coincide in a simultaneous reading of it from a text she carries on paper. Part of a book ...

A REVOLUCIÓN (É) PROBABLE (2022)