Ré La Belle (2011)
Film shot on the Isle of Ré where I spent my vacations as a child at my grandparents' house. I attempted to show everything that had moved me. ...
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Born in 1946, in Ivry-Sur-Seine. She begins with the practice of photography and exhibits her work as soon as 1978. First, her discovery of Marguerite Duras with the dissociation between sounds and images, and then the films of Germaine Dulac, foster a growing interest for cinema and finally lead her to choose the Super-8 in 1982. In 1987 she shows her films to yann beauvais and Miles McKane. In 1984, she develops a peculiar skill consisting in hand painting directly on a Super-8 filmstrip. To complete this cinematographic practice, she starts classical painting in 1999.
Film shot on the Isle of Ré where I spent my vacations as a child at my grandparents' house. I attempted to show everything that had moved me. ...
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Camera movements on "tamaris", a plant that grows by the sea on the Ile de Ré, painting and Indian ink. ...
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Camera movements on a pine ("Songshù" in Chinese) at dusk when the light is so soft. Film with nuanced hues and Chinese painting graphics. ...
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The nature of form is to hide the object rather than define it, and the nature of light is to conceal substance rather than to delineate. ...
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Study of the fragment, the word, the written word... some are in French, others in Greek, without translation. For those who do not understand Greek, magic of the unknown, word-drawing, form in itself. The beauty of the texts means that they do not need im ...
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The filmed object is a magnetic tape placed on pieces of mirrors. The whole film is based on the camera movements that are played with light, on the meanders of the magnetic strip. Precise and wild film with very tight framing. Abstract film. Visual music ...
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Film made entirely from slides. Images of bodies distorted by overlays, filters... leading to highly abstract shots... fantasies?... eroticism?... ...
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There are four of them, they were enthusiastic about the idea of diverting images from salvage films - each one worked on different sequences; the whole put end to end gives a film full of graphic richness, freshness and humor. ...
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Initial situation: models were invited to participate in their portrait by the contribution of personal objects and a great freedom of expression before the camera. This initial situation was conceived by Catherine Rebois. Graffon: I propose to film in a ...
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