Lizzie Fitch is an American artist who works in the mediums of sculpture, video, performance, and installation art. She graduated from Rhode Island School of Design in 2004. Her long-term collaborator is Ryan Trecartin; their videos, including the series "Any Ever", have been widely exhibited internationally.
A delirious movie installed inside a ghostly barn made with prefabricated materials. The oscillatory movement of the rocking chairs on which visitors sit partly helps to alleviate the syncopated rhythm of the montage and the frenzy of images that follow. ...
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Shot in 2013 - In 'honor, of cause fake news - less gravity here - don't bird watch with a gun - remember your dreams before they remember you : the sloppy mix, bullshit version coming near soon USA. ...
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Shot in a former Masonic temple in Los Angeles – a five-story warren of large, cavernous rooms akin to a windowless convention center – Temple Time unfolds like a horror-movie group expedition in a campsite wasteland. ...
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The film focuses on the life of Jenny who has, according to many of the other characters, become too "left-of-center" while pursuing her interests. ...
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In Item Falls, we are peaking. We start out at a casting call, but before long we're firmly in the grip of hallucination, shedding our anxieties and evidently regressing to the animation era, a time when stunt chickens were mere chicklets. Friendly archety ...
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Roamie View: History Enhancement reveals JJ as a husk of his former self, overwhelmed by too many experimental personalities and reverted to factory presets. He hires Roamie Hood's (Alison Powell) company to roam backwards through time to research an oppor ...
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In P.opular S.ky (section ish), a character played by Trecartin informs us that she wants 'to live in a world where narration is the devil'. The ability to script oneself is an inalienable right, and anything that opposes that right must be rejected. ...
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In Ready, Wait, played by Trecartin, is introduced as the eponymous figure of the series. Wait waits. He forsakes a "career" in favor of a "job," the execution of which Trecartin calls a "work performance." A careerist like Y-Ready (Veronica Gelbaum) may c ...
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Temp Stop, as the title implies, has a disjunctive quality that separates it from the other parts of Re'Search Wait'S. As if emanating from the basement of Any Ever, each scene plays like a hidden-away epilogue rendering characters comparatively surreal--i ...
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The video revolves around an unending "meeting" - a busy, aimless meeting that goes in circles to evade a traditional narrative arc. The meeting is essentially a party, and the entire company bumps and grinds with itself everywhere from in boardrooms to ai ...
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Trecartin returns to his conception of family-as-business-enterprise, casting parent figures as managers and executives on one end of the spectrum, estranged children as freelancers on the other. The director plays four sisters named Ceader, Britt, Adobe a ...
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Dazzling and raucous, Ryan Trecartin's first feature-length video takes cues from chat rooms, social networking web sites, YouTube, John Waters, and Pee-wee's Playhouse, and then turns them upside down and inside out to create an entirely singular video ge ...
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Trecartin describes (Tommy-Chat Just E-mailed Me.) as a "narrative video short that takes place inside and outside of an e-mail." Trecartin's intense visualization of electronic communication is inhabited by a cast of stylized characters: Pam, a lesbian li ...
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A Family Finds Entertainment chronicles the story of mixed up teenager Skippy and his adventures in 'coming out'. In this over the top celebration of queerness, Trecartin's film mines the bizarre and endearing in an unabashed pastiche of 'bad tv' tropes. C ...
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Trecartin's extraordinary digital manipulations reach a new level as he speculates in vivid animation about reproduction, sexuality, and contemporary moralities. Collapsing footage appropriated from television, the Internet, and pop culture, Trecartin and ...
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Trecartin and his collaborator/co-star Lizzie Fitch ponder the messages delivered by the most banal forms of mass media and pop culture in their own unique version of a music video. They voice questions in song and dance segments that feature a deliberatel ...
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In Yo! A Romantic Comedy, Trecartin borrows clichés from hip-hop culture and genre films to craft a dark, dream-like narrative that veers from comic melodrama to goth fantasy. Applying his signature digital editing and delirious sound processing to remark ...
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Trecartin crafts a fantastical narrative about a girl whose obsessive personal utopia is disrupted. Trecartin's collaborator, Lizzie Fitch, plays a girl obsessed with Valentine's Day. Everything in her hyperactive, sped-up world revolves around Valentine's ...
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In Kitchen Girl, Trecartin's frequent collaborator Lizzie Fitch throws herself into a state of total hysteria, portraying a girl who takes the childhood game of "playing house" to a dark and disturbing place. After pretending to cook dinner for her "kids," ...
Watch NowShot in 2013 - In 'honor, of cause fake news - less gravity here - don't bird watch with a gun - remember your dreams before they remember you : the sloppy mix, bullshit version coming near soon USA. ...
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The video displays Fitch and Trecartin's signature style of ludicrous cut-scenes and ironic hyperbole. "Yielders Path" also features swerving point-of-view shots from a quadrocopter, often focusing on ceiling fixtures with stoic reverence. The plot oscilla ...
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In Comma Boat, we're stuck in a mock-authoritarian fantasy--a power trip. The film centers around a director-character played by Trecartin who oscillates between feelings of omnipotence and self-doubt. As if a post-human, post-gendered reincarnation of the ...
Watch NowThe film focuses on the life of Jenny who has, according to many of the other characters, become too "left-of-center" while pursuing her interests. ...
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The movie is actual market research collected by Wait for Y-Ready. It doubles as the site of Wait's vacation, as well as echoed versions of scenarios from other sections of Any Ever from which characters either reappear or are replicated here as young girl ...
Watch NowRoamie View: History Enhancement reveals JJ as a husk of his former self, overwhelmed by too many experimental personalities and reverted to factory presets. He hires Roamie Hood's (Alison Powell) company to roam backwards through time to research an oppor ...
Watch NowIn P.opular S.ky (section ish), a character played by Trecartin informs us that she wants 'to live in a world where narration is the devil'. The ability to script oneself is an inalienable right, and anything that opposes that right must be rejected. ...
Watch NowIn Ready, Wait, played by Trecartin, is introduced as the eponymous figure of the series. Wait waits. He forsakes a "career" in favor of a "job," the execution of which Trecartin calls a "work performance." A careerist like Y-Ready (Veronica Gelbaum) may c ...
Watch NowTemp Stop, as the title implies, has a disjunctive quality that separates it from the other parts of Re'Search Wait'S. As if emanating from the basement of Any Ever, each scene plays like a hidden-away epilogue rendering characters comparatively surreal--i ...
Watch NowThe video revolves around an unending "meeting" - a busy, aimless meeting that goes in circles to evade a traditional narrative arc. The meeting is essentially a party, and the entire company bumps and grinds with itself everywhere from in boardrooms to ai ...
Watch NowTrecartin returns to his conception of family-as-business-enterprise, casting parent figures as managers and executives on one end of the spectrum, estranged children as freelancers on the other. The director plays four sisters named Ceader, Britt, Adobe a ...
Watch NowDazzling and raucous, Ryan Trecartin's first feature-length video takes cues from chat rooms, social networking web sites, YouTube, John Waters, and Pee-wee's Playhouse, and then turns them upside down and inside out to create an entirely singular video ge ...
Watch NowA Family Finds Entertainment chronicles the story of mixed up teenager Skippy and his adventures in 'coming out'. In this over the top celebration of queerness, Trecartin's film mines the bizarre and endearing in an unabashed pastiche of 'bad tv' tropes. C ...
Watch NowIn Kitchen Girl, Trecartin's frequent collaborator Lizzie Fitch throws herself into a state of total hysteria, portraying a girl who takes the childhood game of "playing house" to a dark and disturbing place. After pretending to cook dinner for her "kids," ...
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