Leilah Weinraub is associated with: Seek No Favor
A delirious movie installed inside a ghostly barn made with prefabricated materials. The oscillatory movement of the rocking chairs on which visitors sit partly helps to alleviate the syncopated rhythm of the montage and the frenzy of images that follow. ...
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In P.opular S.ky (section ish), a character played by Trecartin informs us that she wants 'to live in a world where narration is the devil'. The ability to script oneself is an inalienable right, and anything that opposes that right must be rejected. ...
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The video revolves around an unending "meeting" - a busy, aimless meeting that goes in circles to evade a traditional narrative arc. The meeting is essentially a party, and the entire company bumps and grinds with itself everywhere from in boardrooms to ai ...
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Dazzling and raucous, Ryan Trecartin's first feature-length video takes cues from chat rooms, social networking web sites, YouTube, John Waters, and Pee-wee's Playhouse, and then turns them upside down and inside out to create an entirely singular video ge ...
Watch NowAn amnesia stricken Beverly Hills housewife wanders into an underground lesbian punk club and discovers a new way of life. ...
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Low-key, anxiety-managing millennial Monroe Malone is trying to outrun last year's job loss when she collides with a weave-snatching cartel led by Big Baby. After overhearing his plan to kidnap hair tech genius Camille J. Walker and steal her Infinite Trac ...
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'Shakedown' was a series of parties founded by and for African American women in Los Angeles that featured go-go dancing and strip shows for the city's lesbian underground scene. Inspired by trans woman Mahogany who, as the mother of the scene, presided ov ...
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Rooted in the tropical underground of Los Angeles nightlife, Wildness is a portrait of the Silver Platter, a historic bar that has been home to Latin/LGBT immigrant communities since 1963. With a magical-realist flourish the bar itself becomes a character, ...
Watch NowIn P.opular S.ky (section ish), a character played by Trecartin informs us that she wants 'to live in a world where narration is the devil'. The ability to script oneself is an inalienable right, and anything that opposes that right must be rejected. ...
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Trecartin returns to his conception of family-as-business-enterprise, casting parent figures as managers and executives on one end of the spectrum, estranged children as freelancers on the other. The director plays four sisters named Ceader, Britt, Adobe a ...
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