Laura Huertas Millan is a French-Colombian filmmaker and visual artist, whose practise stands at the intersection between cinema, contemporary art and research.
Selected in cinema festivals such as the Berlinale, Toronto International Film Festival (TIFF), Rotterdam International Film Festival, New York Film Festival and Cinéma du Réel, her films have earn prizes at the Locarno Film Festival, FIDMarseille, Doclisboa and Videobrasil, among others. More than twenty retrospectives and focus of her work have been organised around the globe, in cinematheques such as Toronto ́s TIFF Lightbox, Harvard ́s Film Archive or Bogota ́s cinematheque, and leading film festivals as Mar del Plata and Rencontres du Documentaire de Montreal.
In the art field, her latest solo exhibitions were held at the MASP Sao Paulo, Maison des Arts de Malakoff and Medellin ́s Modern Art Museum. Her films have also been exhibited and screened in art institutions (Centre Pompidou Paris, Jeu de Paume, Guggenheim Museum NY, Times Art Berlin) and biennials (Liverpool, FRONT Triennial, Videobrasil, Videonnale). They are part of private and public collections (Kadist, CNAP, Banco de la República de Colombia, CIFO, FRAC Lorraine, and others).
The coca plant is one of the world's most controversial plants. In the West, it is primarily associated with the recreational drug cocaine, which was first produced in Europe in the nineteenth century and has given rise to a violent system of drug trade an ...
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For time immemorial, the indigenous peoples of Latin America have used and venerated the coca plant, affording it the same respect as a person. Jiíbie is the Uitoto word for the powder made from the plant, which is produced here in the domestic setting of ...
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A voyage into the labyrinthic memories of a Uitoto man, who worked for the drug Lords in the Colombian Amazon back in the 80s. Following his path between the forest and the ruin of a Narco´s mansion imitating the Carrington mansion in the soap opera Dynas ...
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A site of activism and bloodshed, Building 303 was an icon of Bogotà. Now demolished, the university—and its political graffiti—haunts this spectral short, intruding on a portrait of a recovering addict. Laura Huertas Millán's film is one of ruin and ...
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Produced out of Harvard's Sensory Ethnography Lab, Laura Huertas Millán's quietly masterful La Libertad follows a group of matriarchal weavers in Mexico, formally mimicking the examination of an object through subtle shifts in scale and space. ...
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Antonia is a lyrical singer whose beauty is uncommon, lush and somber. Recovering from a suicide attempt in a rehabilitation institution, all her family ties are irreparably broken. But her sister remains deeply affected by what happened. ...
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A journey upstream the Amazon river where Modernist constructions have been abandoned like the memories of an engulfed civilisation of the future. A science-fiction documentary evoking the colonization of nature, former utopias in the Latin America forests ...
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In a film, meeting a strange tribe often starts with the plunging view from a building necessary to the journey. The architecture of Jean-Pierre Secq dubbed the noise of the waves washes over us in this way. However, to open it, the construction was massiv ...
Watch NowAntonia is a lyrical singer whose beauty is uncommon, lush and somber. Recovering from a suicide attempt in a rehabilitation institution, all her family ties are irreparably broken. But her sister remains deeply affected by what happened. ...
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