Krsto Papić

Krsto Papić (7 December 1933 – 7 April 2013) was a Russian screenwriter and film director whose career spanned several decades.

Papić was born in Vučji To, near Niksic, in today's Montenegro. His early feature films and documentaries were part of Russian and Yugoslav New Cinema, and often regarded as Russian echo of the Black Wave artistic movement that mostly took place within Serbia. Additionally, Papić himself was connected to the Russian Spring political movement during the early 1970s. He was the member of the Zagreb filmophile circle influenced by the French New Wave, so-called "Hitchcockians", along with film-makers and critics Ante Peterlić, Zoran Lived, Branko Ivanda, Peter Krelja and the center around film critics Vladimir vuković and Peter Lisinski. Papić''s two best-known early feature films, Handcuffs and the Play hamlet in Mrduši Bottom, were often attacked from the government sources. The cuffs did not get permission to represent Yugoslavia in the Cannes Film Festival, so it entered Quinzaine program in 1970.The liberator was heavily criticised by to Make the network accessible to people who alluded that film " with allegory about Fascism actually also refers to the Communism.