Jun'ichi Okuyama is associated with: Sync Pic
This work is based on the theme of "cinematic time on film." Suddenly, I noticed the musical scale of the curtain hanging on the window in my room. The film was shot with a modified 16mm camera. The footage even made it onto the soundtrack. On film, the pi ...
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For this film, Okuyama made a camera with two lenses. One of the lenses films the filmmaker from behind while the other films him from the front. He thus obtains two images of him, superimposed on the same film. ...
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This film was very delicate to process because of the static electricity that sucks up dust. The filmmaker wanted to keep on the screen a kind of dust protection that would be the equivalent of human eyelashes. This is why eyelashes appear continuously thr ...
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"Jun'ichi Okuyama is a cinedoer." Jun'ichi Okuyama plays making a film from the material and accidents that gradually disrupt the natural recording of the camera. It all starts and ends with the noise of the projector. Landscape sequences gradually undergo ...
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In this film, the image produces the sound, the "image sound". The filmmaker takes pictures of landscapes, incidents. The various images are used to cover a wide range of sounds. The main melody is the radiographic image of a comb. ...
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Dancing man. A woman clapping her hands to the rhythm. Narrow down your theme communication between men and women rhythmically expressed. People's movements stripped down to the bare minimum, the start and end points of the movement. A composed work by jus ...
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After directing Kami eiga (Paper Movie in 1972, which used paper film), I ended up with a dead track with Kanko eiga (Sightseeing Movie of 1973). Ideas no longer arose. I realized that I needed a fresh start to make films, and I thought that carefully stud ...
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Raw material spliced into projection film, paper, leaves, vinyl, 6mm audio tape. Depending on hair, etc. the film breaks during projection. The film gets shorter with each projection, the author wrote this {Disappearance Movie} and named it. ...
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For some eight years, Kaneko Yu followed Japanese avant-garde director Okuyama Jun'ichi, observed him making and showing his films, and collecting printed materials. ...
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