Moon Drum (1991)
Moon Drum offers an impressionistic evocation of the mood, color and feel of native American art created by computer graphics. ...
Watch NowMoon Drum offers an impressionistic evocation of the mood, color and feel of native American art created by computer graphics. ...
Watch NowJohn Whitney's pioneering work of computer animation, Arabesque, from 1975. This flowing, abstract short film is a wonder to behold, a work of art. Like many other computer graphics pioneers, this film suggests roots in psychedelics and spiritual quests as ...
Watch NowA silent black and white computer graphic short film specially made to accompany John H. Whitney's Lecture on Digital Harmony at Cranbrook, British Columbia, Canada, in 1973. ...
Watch NowAn experimental short film by John Whitney Sr. which combines animated shapes and colors; Computer graphics as dynamic, swirling art. Preserved by the Academy Film Archive in 2014. ...
Watch NowJohn H. Whitney Sr. explains the graphic art potential of the computer and the methods and philosophy involved in his computer filmmaking. Preserved by the Academy Film Archive in 2012. ...
Watch NowShort film by John Whitney. Preserved by the Academy Film Archive in 2005. ...
Watch NowEarly 'visual music' film by John Whitney. Preserved by the Academy Film Archive in 1999. ...
Watch NowOpens with a short canonical statement of a theme upon which the entire film is constructed. The canon is repeated in contrasting variations by means of color. A second section poses the same image in deep film space. The image unfolds itself repeatedly, l ...
Watch NowThe entire film is divided into four consecutive chosen approaches—the fourth section devoted to a reiteration and extension of the original material. Preserved by the Academy Film Archive in 1999. ...
Watch NowTwo short fragments resulting from experiments in controlling the mechanical development of the instrument. Preserved by the Academy Film Archive in 2005. ...
Watch NowBegins with a three beat announcement drawn out in time which thereafter serves as a figure to divide the four sections. Each return of this figure is more condensed, and finally used in reverse to conclude the film. Preserved by the Academy Film Archive ...
Watch NowSeveral well-known and pioneering abstract filmmakers discuss the history of non-objective cinema, the works of those that came before them and their own experiments in the field of visionary filmmaking. ...
Watch NowA Personal Search For the Complementarity of Music and Visual Art (1992) uses the concept of complementarity to make sense of the confusion that existed between fine art and technology in the late 20th century. ...
Watch NowJohn H. Whitney Sr. explains the graphic art potential of the computer and the methods and philosophy involved in his computer filmmaking. Preserved by the Academy Film Archive in 2012. ...
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