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Jerome Hiler

Jerome Hiler

Jerome Hiler began his creative life as a painter and was a student of Natalia Pohrebinska at Pratt Institute. Within a few years, Mr. Hiler became enthralled with the visual and poetic possibilities of 16mm experimental film. In particular, his encounter with the films of Marie Menken, Gregory Markopoulos and Stan Brakhage deeply affected his own artistic path. It completely changed the focus of his creative energies and led to decades of work as a filmmaker. For most of his life, Mr. Hiler only screened his work among his circle of friends. However, from 1995 on, his work has been seen more publicly. He has shown his films at London's LUX film series, the San Francisco Film Festival, many seasons at the New York Film Festival, the London Film Festival and was selected by the Whitney Museum of American Art to participate in the 2012 Biennial for a week of screenings.

Throughout his career, Mr. Hiler has also worked on feature films and documentaries. In the documentary field, he has worked either as photographer, editor or director and, occasionally, all three.

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Movies Made By Jerome Hiler (18)

Careless Passage (2024)

"Now that I'm in motion again, I look forward to the passage from this life to future wanderings in unknown places. My film alludes to and appreciates the encounters that flow without ceasing as we move through our personal version of reality" (Jerome Hile ...

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Cinema Before 1300 (2023)

More than eight hundred years ago, a confluence of technological, philosophical, and financial upswellings converged to create the most advanced form of mass media the world had known: stained glass. ...

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Ruling Star (2019)

"For one thing, this was my first film using negative stock after a lifetime of shooting color reversal. This was a time when I had to open up to a greater freshness of purpose. I had to go forward into the unknown without a plan" (Jerome Hiler). ...

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Bagatelle I (2018)

"A portrait of a young painter, a friend of mine, who I also feature in Marginalia. ...

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Facades (2018)

"My only film shot in color negative… and its been a challenge, this sort of stock. […] The film is, to me, some kind of a rhapsody about California. ...

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Bagatelle II (2016)

"With Bagatelle II, I seem to have come full circle by returning to the so-called polyvalent style of my earliest film endeavors from 50 years ago. The film actually includes material from all the intervening decades. It's both up to the moment yet life-sp ...

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Marginalia (2015)

This film is to be projected at silent speed: 18 frames per second. Although "Marginalia" has no story, it reflects my concern with the feel of society at a time of ecological stress and cultural change. As usual, I have super-impositions which were shot i ...

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Misplacement (2013)

"Misplacement" focuses on a social event — it looks like a funeral — with an implied but withheld story. The people Mr. Hiler films are familiar and yet elusive, animated by light and gone too soon. ...

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New Shores (2012)

NEW SHORES is a sister film to IN THE STONE HOUSE in many ways. Like the latter film, it consists of earlier footage edited in recent years. It could be seen as a sequel to IN THE STONE HOUSE especially since it begins with a cross-country journey to the W ...

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In the Stone House (2012)

In the Stone House records and recollects a period of life of four years in rural New Jersey. In the latter 1960s, two young guys with monastic leanings leave the clatter of Manhattan's art and film scene to catch the wave of higher consciousness that was ...

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Words of Mercury (2011)

Words of Mercury is a silent film projected at 18fps. It has many layers of super-impositions which were all shot in the camera. It moves from a stark wintery world and slowly develops into a place of overgrowth and richness that is almost suffocating and ...

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Music Makes a City: A Louisville Orchestra Story (2010)

In 1948, a small, struggling, semi-professional orchestra in Louisville, Kentucky began a novel project to commission new works from contemporary composers around the world. ...

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Target Rock (2001)

Commissioned by Frederick Eberstadt ...

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Gladly Given (1997)

"Illuminated leaves from the sub rosa oeuvre of Jerome Hiler. Although the title is tinged with irony, this film is in fact a gift and a work of gifted seeing made perceptible. Fragile and challenging in its seeming simplicity, GLADLY GIVEN unfolds and bri ...

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Acid Rock (1990)

"Shot in early 1990 on outdated Ektachrome reversal stock, Acid Rock exists only in the original (that is, Hiler has never made a print of it), and consists of three 100' reels of film unedited, a 9-minute film of dazzling beauty and incandescent imagery. ...

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Library (1970)

Initially titled "Books for all". A moving institutional commission in which the filmmakers lovingly portray New Jersey's public library system. ...

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The Illiac Passion (1967)

Prometheus, on an Odyssean journey, crosses the Brooklyn Bridge in search of the characters of his imagination. After meeting the Muse, he proceeds to the "forest." There, under an apple tree, he communes with his selves, represented by celebrated personag ...

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Fool’s Spring (Two Personal Gifts) (1967)

"This modest little film completely turned me around. Up until that point I had been using the world to make a film, and what Jerome showed me was that the world itself, or life itself, could be the language of a film. That a film could be inside out, so t ...

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Movies Starring Jerome Hiler (7)

Cinema Before 1300 (2023)

More than eight hundred years ago, a confluence of technological, philosophical, and financial upswellings converged to create the most advanced form of mass media the world had known: stained glass. ...

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Intimations (2015)

The fourth of the "cinematic songs," followed by two new works "made by someone closer to passing on, by someone whose sense of life and sense of cinema have become inseparable in a very real way. ...

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New Shores (2012)

NEW SHORES is a sister film to IN THE STONE HOUSE in many ways. Like the latter film, it consists of earlier footage edited in recent years. It could be seen as a sequel to IN THE STONE HOUSE especially since it begins with a cross-country journey to the W ...

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Hours for Jerome (1982)

The recording of the daily events of Dorsky and his partner, artist Jerome Hiler, around Lake Owassa in New Jersey and in Manhattan. The two parts of the films revolve around the four seasons with the first part revolving around spring through summer, whil ...

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Divided Loyalties (1978)

Warren Sonbert described Divided Loyalties as a film 'about art vs. industry and their various crossovers.' According to film critic Amy Taubin, "There is a clear analogy between the filmmaker and the dancers, acrobats and skilled workers who make up so mu ...

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Holiday (1968)

Experimental short subject preserved by the Academy Film Archive, in partnership with Estate Project for Artists with AIDS, in 1998. ...

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Letter to D.H. in Paris (1967)

Stoned people, music, movement, fields. ...

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