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Jeff Keen

Jeff Keen

Jeff Keen (1923–2012) was a pioneer of experimental film whose rapid-fire animations, multiple screen projections and raucous performances redefined multimedia art in Britain.

Keen was a veteran of the Second World War, and his work powerfully evokes the violence, colour, speed and noise of the 20th century. He transformed cinema into a riotous collage of comics, drawings, B-movie posters, plastic toys, burning props and extravagant costumes. His early 8 mm and 16 mm films are built for speed, combining footage of Beat-era motifs – jazz, motorbikes and car culture – with experimental animations in which the achievements and atrocities of the 20th century seem to flash by within a few short, cacophonous seconds. A single frame could not contain the frenzied energy of Keen’s imagination, and by the mid-1960s he began to use multiple screens and live action in presentations of his work.

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Movies Made By Jeff Keen (39)

Omozap Terribelis (2002)

'Omozap Terribelis' was shot on video and screened alongside 'Afterblatz 2'. It uses the toy 'My First Sony' to present a number of computer-generated drawings. ...

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Afterblatz 2 (2002)

'Afterblatz 2' was shot on video and screened alongside 'Omozap Terribelis'. It uses the toy 'My First Sony' to present a number of computer-generated drawings. ...

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Kino Staccato (1999)

This bright animation cuts from interiors to exteriors and pushes pictures of Keen at different ages up against violent actions and symbols of violence. ...

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Omozap in Artwar (1995)

This compilation work uses Keen's drawing computer, screams and gunfire and proclaims ' enemy territory is outside the frame. Includes the titles 'Albino Ray', 'Grafico Blatz', 'Eye Blaze' and 'Grafico Blatz 2'. ...

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Artwar (1994)

This version of Artwar builds from performances with paper masks and implements and various sequences of gunfire. ...

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Artwar: The Last Frontier (1993)

For this video, Jeff Keen had all his images for the Artwar series run together and over the top of each other. ...

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Plazmatic Blatz (1991)

Stealth bombers hover over crashing waves and ruined land. ...

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Omozap (1991)

Omozap is a gun-wielding wildman and Keen anti-superhero akin to The Punisher. Compulsive animation and action look to the Artwar films and videos to come. ...

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Blatzom in Artwar (1990)

This vibrant montage of colours and positive and negative images shows Jeff Keen filtering and reflecting on his previous films. ...

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Plasticator (1990)

Treating apocalyptic and aggressive imagery with silence and slow washes of colour, Jeff Keen exhibits and works against his usual tropes. ...

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Blazon Blatzom: El Pistolera Blatzo (1990)

A documentation of Jeff Keen painting, using montage to turn a mild-mannered English painter into a Wild West gunslinger. ...

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Blazomatika (1990)

Produced by Jeff Keen for looping in an exhibition context. ...

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Artwar Loop 2 (1990)

The Artwar loops were made for non-cinematic exhibition and go from harsh film surface noise to colour bars and other video effects filmed from the TV. These can be watched as individual films or as loops. ...

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Artwar Loop 1 (1990)

The Artwar loops were made for non-cinematic exhibition and go from harsh film surface noise to colour bars and other video effects filmed from the TV. These can be watched as individual films or as loops. ...

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Pulverised Cinema (1990)

Jeff Keen processes his cinematic past in this filmic attack on his back catalogue. ...

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B-B-B Bom and Life Storm (1990)

From spinning paper guns to pulsing television screens, from zooms, crosscutting and painted film surfaces to burning paper, Jeff Keen uses all the effects at his disposal to make a series of extraordinary animations where movement is never allowed to stop ...

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Spontaneous Combustion (1989)

This relatively unknown Jeff Keen film presents an insistent series of exquisitely composed action and animation sequences and must be one of the only 8mm 'cinemascope' films in the world ...

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The Dreams and Past Crimes of the Archduke (1984)

Jeff Keen's daughter gave him some music and sound effects recorded at the cinema and invited him to use it as the basis for a film. He added a plastic Hitler mask from Brighton pier and created this red and blue-dominated film that runs at a distinctly di ...

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Return of Silver Head (1980)

The Keen family go on holiday in the jungles of the English countryside while the mysterious Silver Head - Jeff Keen wearing an inside-out, silver-lined photographic paper bag - haunts Brighton and the snowy fields of winter. Part diary, part fantasy. ...

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The Cartoon Theatre of Dr Gaz (1979)

Action and animation are pushed to the extreme in this frenetic film. Keen makes references to the God-like status of the director, the framed world of the cinema and the history of popular entertainment. ...

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Mad Love (1978)

Jeff Keen had a chance encounter with a collection of old 78 speed records at a Brighton flea market and used it as an opportunity to create a surrealist film (naming it after the poetry collection by André Breton). A requiem for B movies and the marginal ...

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Godzilla: Last of the Creatures (1976)

One of Jeff Keen's diary films. Keen made many diary films with his daughter, wife and friends in the late 60s and 70s. These were edited in camera and used multiple exposures. They would then be projected in various combinations though usually as a four-s ...

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Diary Films (1976)

Includes: Stolen Moments (1972), Lone Star (1975), Godzilla – Last of the Creatures (1976) and Rosa Canina (1970s). ...

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24 Films (1975)

Made between 1970 and 1975, Jeff Keen's films always contain internal layers and films within films. The twenty-four films here include hand-painted work, animation and montage. ...

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Lone Star (1975)

One of Jeff Keen's diary films. Keen made many diary films with his daughter, wife and friends in the late 60s and 70s. These were edited in camera and used multiple exposures. They would then be projected in various combinations though usually as a four-s ...

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Rosa Canina (1975)

One of Jeff Keen's diary films. Keen made many diary films with his daughter, wife and friends in the late 60s and 70s. These were edited in camera and used multiple exposures. They would then be projected in various combinations though usually as a four-s ...

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White Dust (1972)

Named after the horror film White Zombie and the rom-com Red Dust (both 1932), White Dust follows the friends and family of Keen while they explore archetypal characters of Hollywood and myth. These unresolved episodes look back to American film serials. ...

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Rayday Film (1970)

Rayday Film was shown projected in several 100-foot length parts from multiple projectors. The friends and family who featured in costume and character within - like Motler, the Word Killer who reflects Keens preference for action over thinking - performed ...

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Day of the Arcane Light (1969)

Experimental short directed by Jeff Keen. ...

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Meatdaze (1968)

Made to represent an entire cinema programme, Meatdaze consists of six sections that include cartoons, supporting and main features. ...

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White Lite (1968)

White Lite is something of a mystical film, evoking the feeling of going 'through the looking glass' to another world, despite the fact it was largely shot in the flat of its director, Jeff Keen. The film greets us with the invitation "meet anti-matter and ...

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Cineblatz (1967)

In Cineblatz, the viewer is subjected to a high-impact barrage of evolving images, at once comic and terrifying. Glossy magazines are cut up and reconfigured, newspaper pages are defaced with animated squiggles, comic-book superheroes fly out, over and thr ...

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Missing Close-ups (1965)

Jeff Keen thought that some of his previous films had been dominated by long-shots. In this film he grapples with the language of cinema, not as a means to inspire audience identification, but rather to make up for an imbalance. ...

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Flik Flak (1965)

Comics, monsters and a zombified Keen are gently desecrated in this paint-flecked film that also features a picture of Jackie Keen crying heart-shaped tears. ...

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The Pink Auto (1964)

The Pink Auto, screened using two projectors, is one of the very first examples of expanded cinema. Jeff Keen walks as a zombie and carry his dead bride through brown English fields. ...

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Breakout (1962)

Breakout is an unfinished film and, unusually for Keen, contains a loose narrative. It presents the story of a young man hounded by a large pink Pontiac Continental. ...

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Like the Time Is Now (1961)

America comes to Brighton as three beatniks hang out, listen to records and smoke before strange hats appear out of nowhere and a cartoon bubble suggests they go to the cinema. ...

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The Autumn Feast (1961)

A deliberately non-synchronous film, shot in 8mm with the sound on tape. Piero Heliczer reads his poem "The Autumn Feast," and the visuals interact with, but does not literally represent, what is read. ...

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Wail (1960)

Experimental short featuring motorbikes and animation. This is the second version of Jeff Keen's first film; that film became too worn. ...

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Movies Starring Jeff Keen (4)

Art Flies Free (2000)

A Super-8 portrait of Jeff Keen. This short but evocative experimental portrait melds Keen's style with that of its maker, Ian Helliwell, another artist filmmaker based in Brighton. The title comes from an adage of Jeff Keen's and features Keen reading som ...

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Return of Silver Head (1980)

The Keen family go on holiday in the jungles of the English countryside while the mysterious Silver Head - Jeff Keen wearing an inside-out, silver-lined photographic paper bag - haunts Brighton and the snowy fields of winter. Part diary, part fantasy. ...

Watch Now

The Pink Auto (1964)

The Pink Auto, screened using two projectors, is one of the very first examples of expanded cinema. Jeff Keen walks as a zombie and carry his dead bride through brown English fields. ...

Watch Now

Like the Time Is Now (1961)

America comes to Brighton as three beatniks hang out, listen to records and smoke before strange hats appear out of nowhere and a cartoon bubble suggests they go to the cinema. ...

Watch Now