James Tenney is associated with: Brakhage
BRAKHAGE explores the depth and breadth of the filmmaker's genius, the exquisite splendor of his films, his magic personal charm, his aesthetic fellow travelers, and the influence his work has had on generations of other creators. While touching on signifi ...
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A silent film of collaged and painted sequences of lovemaking between Schneemann and her then partner, composer James Tenney; observed by the cat, Kitch. ...
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Schneemann's classic 1966 aerial "Kinetic Theatre" work was first staged at St. Mark's Church in the Bowery, with eight performers moving to a score of randomized encounter on layers of rigged ropes and pulleys. One of two video documents of this early and ...
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This film consists entirely of close ups of famous persons' bottoms. Ono meant it to encourage a dialogue for world peace. ...
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Images of two women, two men, and a gray cat form a montage of rapid bits of movement. A woman is in a bedroom, another wears an apron: they work with their hands, occasionally looking up. A man enters a room, a woman smiles. He sits, another man sits and ...
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In Loving (1957), a couple make love in the sun and their optic system flares -- it's really the nervous system's ecstasy -- in oranges and yellows and whites. - Stan Brakhage. Preserved by the Academy Film Archive in partnership with The Film Foundation ...
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Four young men and a young woman sit in boredom. She smokes while one strums a lute, one looks at a magazine, and two fiddle with string. The door opens and in comes a young man, cigarette between his lips, a swagger on his face. The young woman laughs. As ...
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Procedurally-generated frames slowly expand in density to visually explore the mind of a psychopathic, narcissistic teenager, up until the demise of the subject. ...
Watch NowBRAKHAGE explores the depth and breadth of the filmmaker's genius, the exquisite splendor of his films, his magic personal charm, his aesthetic fellow travelers, and the influence his work has had on generations of other creators. While touching on signifi ...
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Reel #5 of (...) is composed of scratch-imagery edited to music by James Tenney. The music starts accompanied only by black leader: then there is a sudden flare of pure white which begins to flicker with negative-colored ephemeral shapes, until finally the ...
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This work, composed of six rolls of superimposed images set to Tenney's electronic music track 'Blue Suede', is a celebration of the balletic restraints of adolescent sexuality — (shaped in this instance) by 'The Nutcracker Suite' of Tchaikovsky as well ...
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A young man meets a young woman under a bridge by a railroad. They shelter from the rain and exchange a kiss. The man grows sullen and leaves. The film starts with him and ends with her. It's a straightforward anecdote told in traditional ways, the likes o ...
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