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James Herbert

James Herbert

James Herbert is an internationally known American painter and filmmaker. His work is known for its obsession with the nude figure in romantic and erotic figurations with an emphasis on the role of sexuality and scene context. Herbert was born in 1938 in Boston and grew up in Rhode Island. He began his informal art education as a teenager attending nude figure drawing classes at the Rhode Island School of Design. He earned his B.A. degree in art history from Dartmouth College in 1960 and his M.F.A. in painting in 1962 from the University of Colorado where he studied briefly with Clyfford Still and Stan Brakhage.

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Movies Made By James Herbert (50)

Abandoned House (2007)

Abandoned House is about a group of young people in Italy who exchange stories. The protagonist Maria listens to young men and women who report on sexual abuse and warped pleasure and she seems to feel the need to manipulate their vulnerability and redisco ...

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Rabbit Pix (2004)

An intoxicating chronicle of the romantic liaisons of a group of beautiful young men and women in their Mediterranean idyll. Living in a rundown rural Italian villa, there's little for them to do but sit around and have sex with each other. ...

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La Presenza (2002)

Film from James Herbert ...

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Jumbo Aqua (2000)

For this film, Herbert photographed the original 16mm material framed by frame with a 35mm camera. On screen, sensuality and sexuality, mythical and profane associations, motion and stationariness, framing, light, diaphragm and composition vie for supremac ...

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Speedy Boys (1999)

Director James Herbert and editor Mark Jordan -- both visual artists who work in other media -- crafted this non-narrative look at Carter and Andy, two American artists summering in an unnamed Tuscany city. The young men discuss art and each other as they ...

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Scars (1997)

A young man and woman trade stories about their scars - psychological, sexual and otherwise - in a variety of settings. Their relationship is at once immediate and immediately complicated by the depth of their revelations and their nakedness. ...

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Kolja & Sana (1996)

Short film from James Herbert ...

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Wind (1995)

Short film from James Herbert ...

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John Five (1992)

The theme of erotic love and tenderness, longing and desire, expressed through the innocent awakenings of two young men and a woman in three settings. The figures are, for the most part, nude, and move through lush environments of antique and contemporary ...

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R.E.M. - This Film Is On (1991)

This 50-minute release features promotional videos to the band's four singles from Out of Time ('Losing My Religion', 'Shiny Happy People', 'Near Wild Heaven' and 'Radio Song') in addition to videos to the album tracks 'Low', 'Belong', 'Half A World Away' ...

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Low (1991)

Music video for R.E.M. ...

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Automan (1988)

Shot on 16mm, this experimental film by James Herbert portrays a boy, a girl, a car and the ever lasting desire of the flesh. ...

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R.E.M.: It's the End of the World as We Know It (And I Feel Fine) (1987)

The music video for R.E.M.'s "It's the End of the World As We Know It (And I Feel Fine)", showing a skateboarder rummaging through the junk in a half-collapsed abandoned farmhouse. ...

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Left of Reckoning (1984)

Promotional film for R.E.M.'s second album, Reckoning, directed by James Herbert. ...

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Cantico (1982)

James Herbert's experimental homage to St. Francis of Assisi. ...

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Clove (1977)

"A nine-year-old boy is seen in a dark and sometimes sinister setting with an older boy, perhaps a brother, and a young woman who could be the mother. Bare light directed frontally on the nude bodies like a flash bulb adds a stark directness to the express ...

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Silk (1977)

In Silk [James Herbert] films a man and a woman, exploding the quality of silk out of the house into the back yard, where everything becomes a sheen of texture. It too has great sensuosity, but it's like tearing silk, like being up against silk, your face ...

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Night Horses (1975)

Herbert's silent films are noted for their study of texture and motion and for his use of nude imagery. "Night Horses" is his longest and his most sensual film to date. ...

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Three (1974)

Experimental short by James Herbert. ...

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Apalachee (1974)

Apalachee is a beautifully impressionistic study of a couple interacting with the foliage of the forest and the water of the stream. They touch and embrace each other, "neither making love nor not making love. ...

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Fig (1972)

In Fig we see a young girl, naked, pregnant; and a young man, also naked. Sometimes they are together, sometimes apart. They sit or stand with downcast eyes, but occasionally exchange a glance that may suggest complicity or perhaps great apprehension. Noth ...

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Pear II (1972)

A home movie, in that a disrobed couple prowl several rooms, their images flowing in blurred, fragmentary stop-motion photography. ...

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Pear I (1972)

Pear I illustrates Herbert's obsession with patterns of color as he dallies over curtains, quilts, toys, flowers and other objects, and over lean, youthful bodies that are perfect physical specimens, changing the aura of the figures with bluish, yellowish, ...

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Maypops (1971)

A boy, a girl, several horses, a mother, and a nursing baby provide the central focus for a study of movement. ...

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Porch Glider (1970)

A cyclical film, without sound, that goes from day to night and back again. First, from the porch glider, daytime movement is seen--children running and bicycles and cars going by. The nighttime scene is a long poetic and dream-like look at adolescent love ...

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