Like a Fox (1988)
Based on life in the Southern French countryside around the effects of the Chernobyl nuclear disaster. Made as part of Malcolm Le Grice's video series Sketches for a Sensual Philosophy. ...
Watch NowGill Eatherley was born in 1950 and studied at Winchester School of Art (1969-1970), Saint Martins School of Art (1970-1973) and the Royal College of Art (1974). She began making films in 1971 as a member of the London Filmmaker's Co-operative.
Her expanded cinema performances and film installations have been widely exhibited both in Britain and internationally. Screenings and exhibitions include The Institute for Contemporary Arts in London, The Walker Art Gallery in Liverpool as part of Filmaktion (1973), Amsterdam, Cologne and most recently as part of 'Shoot Shoot Shoot', a major survey of British Avant-Garde Film from 1966-76.
Since 1975 Eatherley has resided in France, where she has concentrated on drawing and painting, whilst teaching art and working as a documentary film-maker. She has recently returned to film-making with the on-going video series; Caraibe, Where Are You? and the one minute film, Ivan (2004).
Based on life in the Southern French countryside around the effects of the Chernobyl nuclear disaster. Made as part of Malcolm Le Grice's video series Sketches for a Sensual Philosophy. ...
Watch NowLens and Mirror Film is part of the Light Occupations series, in which Gill Eatherley performs simple investigations of the filmic equipment, particularly the camera and the projector, in short films that are each three minutes in length – corresponding ...
Watch Now"Pan Film is an extremely simple, short film in two and three screen versions, composed of a number of short, slow pans across a room, past a partially open window that gives only a glimpse of the trees outside. ...
Watch NowDuring a voyage by boat to Finland, the camera records three minutes of black and white 8mm film of a woman sitting on a bridge. The preoccupation of the film is with the base and with the transformation of this material, which was first refilmed on a scr ...
Watch NowLe déjeuner sur l'herbe is simultaneously perceived from four different camera positions in a work which engages with the pro-filmic in order to question documentation, illusion and the film viewing process. ...
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