Gary Beydler is associated with: Venice Pier
"Gary Beydler's last, and possibly least-seen, film is an exhilarating tour down the length of the Venice Pier, shot over the course of an entire year. It's a particularly cinematic walk in many ways. Gary investigates the way a single film stock responds ...
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"Beydler's magical Hand Held Day is his most unabashedly beautiful film, but it's no less complex than his other works. The filming approach is simple, yet incredibly rich with possibilities, as Beydler collapses the time and space of a full day in the Ari ...
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Beydler performs the ultimate SoCal shade-tipping, satirizing LA art-cool with comic pixillated effect. Preserved by the Academy Film Archive in 2016. ...
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"Like Los Ojos, Glass Face shows off Beydler's more whimsical side, but his consistently fresh approach to the transformation of still frames into motion pictures is nevertheless on its usual breathtaking display here. This time, the material being animate ...
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Possibly the most lucid, vivid, and awesome demonstration of the building up of still images to create moving ones, Pasadena Freeway Stills simply, gracefully and powerfully shows us the process by which we are fooled by the movies. By doing so, Gary Beydl ...
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Then the sun begins to set in the mirror and the entire screen erupts in violent explosions of orange lens flares. Slowly the background sky goes black leaving only the mirror to show twilight. Then everything is dark. This piece is similar to Hand Held Da ...
Watch NowBeydler performs the ultimate SoCal shade-tipping, satirizing LA art-cool with comic pixillated effect. Preserved by the Academy Film Archive in 2016. ...
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