Eva Kolcze is a Toronto based artist who creates films and installations that investigate themes of landscape, architecture and the body. Her work has screened at venues and festivals including the National Gallery of Canada, Musée d’art contemporain de Montréal (MAC), Anthology Film Archives, the Gardiner Museum, Nuit Blanche, Cinémathèque québécoise, Birch Contemporary and the Images Festival. She holds a Bachelor of Fine Art from OCAD University and a Master of Fine Art from York University.
Pendulum examines local plant life and constructed nature preserves, blending still and moving images to represent time's fluidity and its effect on botanical evolution. Through 16mm film and lumen prints created using flowers and vegetation foraged near T ...
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Dust Cycles investigates the past and present of the Bluffs, from the rock and clay strata that reveal the last Ice Age to the present day properties on the brink of destruction due to erosion. ...
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A kinetic journey through Expo 67, revisiting Canada's centennial through the symbols, choreographies, and built environments of the World's Fair and its construction of (inter)nationalism. Reworking archival footage, By the Time We Got to Expo creates a v ...
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The Cheltenham Badlands are exposed geological formations that once lay beneath an ancient lake. The barren, rolling landscape was sculpted by the water that flowed over it. ...
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A tactile journey in three parts, Markings 1-3 explores nature through the surface of celluloid, using such techniques as tinting, toning, painting and scratching. This film was shot and hand processed at the Independent Imaging Retreat (The Film Farm) in ...
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A hand processed film exploring the modernist structures of a popular amusement park on the Toronto Islands. ...
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Single channel video installation which traces the absence and explores the history of a demolished building at 775 King St. West in Toronto. The site was home to many businesses over its 110 year history, including factories, offices and for the past 30 y ...
Watch NowPepper's Ghost, by Torontonian Stephen Broomer, transforms an office formerly used for observation studies into a tunnel of performative, transfixing illusionism, creating surprising images using filters, fabric and a combination of sunlight and fluorescen ...
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