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Ed Emshwiller

Ed Emshwiller

Born in 1925, Ed Emshwiller studied graphic design at the University of Michigan and L'Ecole des Beaux Arts in Paris. By the late '60s Emshwiller was working as a science fiction illustrator, and had established his place in the American avant-garde cinema with such works as Relativity (1966) and Image, Flesh and Voice (1969). His early films featured collaborations with dancers and choreographers—a theme he carried over into his videoworks.

As both an artist and a teacher, Emshwiller’s pioneering efforts to develop an alternative technological language in video were enormously influential. His early experiments with synthesizers and computers included the electronic rendering of three-dimensional space, the interplay of illusion and reality, and manipulations of time, movement, and scale that explore the relationship between "external reality and subjective feelings." Emshwiller was among the first artists-in-residence at the TV Lab at WNET, where he produced the groundbreaking Scape-mates (1972). Sunstone (1979) was made over a period of eight months at the New York Institute of Technology. Emshwiller passed away in 1990 and an extensive collection of his work is housed by Anthology Film Archives.

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Movies Made By Ed Emshwiller (55)

Hungers (1987)

Emshwiller introduces this work as a "tapestry of images and sounds suggestive of the hungers that human beings all share for food, love, sex, power, security and so forth." With collaborator Morton Subotnick, the noted electronic composer, and performer J ...

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Skin Matrix S (1984)

Skin Matrix S is a short version of the piece Skin Matrix. ...

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Skin Matrix (1984)

Emshwiller writes that the visually complex and densely textured Skin Matrix is a "video tapestry... a layering of different manifestations of energy: electronic (light, video, computer), inorganic (dunes, rocks, mud), organic (wood, plants), human (skin, ...

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The Lathe of Heaven (1980)

George Orr, a man whose dreams can change waking reality, tries to suppress this unpredictable gift with drugs. Dr. Haber, an assigned psychiatrist, discovers the gift to be real and hypnotically induces Mr. Orr to change reality for the benefit of mankind ...

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Sunstone (1979)

Experimental computer animation from pioneering artist Ed Emshwiller. ...

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Eclipse (1979)

Made for Roger Reynolds's Voicescapes performance, containing elements from Emshwiller's previous film "Sunstone. ...

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Dubs (1978)

Dubs is a somewhat abstract, experimental video without a clearly defined plot. It focusses mostly on the relationships between men and women and the lies they tell each other. ...

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Sur Faces (1977)

Emshwiller writes that Sur Faces is a "stylized collaborative videotape in which actors working with (the artist) explore sexual politics as expressed in styles of drama from Shakespeare to 19th-century social theater, early 20th-century Freudian work, and ...

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New England Visions Past and Future (1976)

A collaboration between Ed Emshwiller and William Irwin Thompson ...

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Self-Trio (1976)

Choreographic dance video created in 1976 by Ed Emshwiller. ...

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Family Focus (1976)

Emshwiller terms Family Focus a "family self-portrait, a stylized autobiography," which takes the form of an intimate collage of home movies, black-and-white videotape and photographs that have been colorized, synthesized or otherwise visually transformed ...

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Inside Edges (1975)

A video work by Ed Emshwiller ...

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Suite 212 (1974)

Suite 212 is Paik's "personal New York sketchbook," an electronic collage that presents multiple perspectives of New York's media landscape as a fragmented tour of the city. Paik critiques the selling of New York by multinational corporations and the city' ...

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Crossings and Meetings (1974)

A lone man walking across the video screen is the starting point for this dynamic formal exercise. This image and its accompanying sound are subjected to increasingly complex and proliferating configurations to arrive at what Emshwiller calls a "visual fug ...

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Chrysalis (1973)

Made in collaboration with Alvin Nikolais, featuring the Nikolais dance company. CHRYSALIS is the result of structuring a series of cinematic and dance ideas Nikolais and I had. The film involves the dancers in improvised choreography, varied costumes, and ...

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Positive Negative Electronic Faces (1973)

A collaboration between Ed Emshwiller and Anthony Bannon funded by a New York State Council on the Arts grant. ...

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Pilobolus and Joan (1973)

Pilobolus and Joan is a dance/narrative journey of transformation, a theatrical search for self and love based on Carol Emshwiller's story Metamorphosed. In this inversion of Kafka's Metamorphosis, a cockroach awakens as a man — actually a four-man being ...

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Identities (1973)

A film made by Ed Emshwiller and Wantagh, New York high school students. ...

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Painters Painting (1973)

Painters Painting: The New York Art Scene 1940-1970 is a 1972 documentary directed by Emile de Antonio. It covers American art movements from abstract expressionism to pop art through conversations with artists in their studios. Artists appearing in the fi ...

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Woe Oh Ho No (1972)

A video film by Ed Emshwiller ...

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Scape-Mates (1972)

In one of his first experiments in video, Emshwiller creates an electronic landscape of both abstract and figurative elements, where colorized dancers are chroma-keyed into a mutable, computer-animated environment. Working with the "Scan-i-mate," an early ...

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Thermogenesis (1972)

"A film version of a videotape. In it my drawings are animated and colorized by using computers. Walter Wright and Richard Froeman were on the computers. John Godfrey helped with the video editing. I did the sound score. The original tape was done on 2" hi ...

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Millhouse (1971)

Emile de Antonio's film decimates Richard Nixon and exposes him as a paranoid, power mad lunatic... de Antonio compiles (via video and film) what amounts to the "best of" one of the worst political figures of the 20th century. Nixon was a shameless self-pr ...

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Film with Three Dancers (1971)

In this spin-off from his original plan for Relativity (1966), Emshwiller continued with his desire to penetrate "space in a kind of flying camera, a dream of flying, a kind of sensual, sexual imagery where you were constantly going into an unknown space." ...

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Choice Chance Woman Dance (1971)

A subjective film song of awareness; woman alone, woman with child, woman as scientist, woman as artist, woman with woman, woman with man. Paradox and dilemma, the human state as seen through today's suburban woman. The filmmaker explored with several wome ...

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Branches (1970)

Featuring Bill Weidner and Connie Brady, BRANCHES was made in a filmmaking workshop at Cornell University during the summer of 1970. The film was improvised around the theme of Branches of Possibilities real or imagined in Bill's pursuit of Connie. It is a ...

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Carol (1970)

Ed Emshwiller's tender portrait of his wife, avant-garde science fiction writer Carol Emshwiller. ...

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Report (1970)

Shot during the 1968/69 school year at University of California Berkeley, Report was created as part of Norman Jacobson's experimental political science course "Toward an Expression of the Idea of Freedom." The film, which features cinematography by avant- ...

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Images (1970)

A video piece by Ed Emshwiller ...

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Image, Flesh and Voice (1969)

This independent underground feature films two dancers (Carolyn Carlson and Emery Hermans) in silhouettes and shadows. Other couples discuss their relationships and lives in a candid display of self revelation. Street dances and conversations combine in a ...

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Jr. Star Trek (1969)

The ten-year-old filmmaker (and star) pays homage to the Star Trek series. ...

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Project Apollo (1968)

A film by Ed Emshwiller that surveys, without narration, the vast human and material resources committed to the U.S. space program. Uses recurring images and sounds to depict the past dreams and doubts, the planning and engineering, the hardware, the const ...

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Bob Dylan – Don't Look Back (1967)

In this wildly entertaining vision of one of the twentieth century's greatest artists, Bob Dylan is surrounded by teen fans, gets into heated philosophical jousts with journalists, and kicks back with fellow musicians Joan Baez, Donovan, and Alan Price. ...

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Fusion (1967)

A kaleidoscopic collage of colours and dehumanised modern dancers, making subtle use of double exposure and electronic music. Shapes move and grow to form designs which are reflected. turned. twisted and finally fragmented. to reveal an understanding for t ...

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Relativity (1966)

Emshwiller made this film on a Ford Foundation grant, and in his original proposal to the Ford Foundation, he outlined the film as "something that deals with subjective reality, the emotional sense of what one's perception of the total environment is -- se ...

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Art Scene USA (1966)

A look at painting, sculpture and the dance in the United States today, as represented by works of many of its best-known artists - Andrew Wyeth, Andy Warhol, Jasper Johns, Roy Lichtenstein, Robert Rauschenberg, Robert Motherwell, Jackson Pollock, Ben Shah ...

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Oysters Are in Season (1966)

Oysters Are in Season feautures the improvised humor of Swede Sorenson, Dean Preece and Molly Parkin as they play out sharply satiric situations. Utter foolishness abounds in short skits that range from an employment interview with an applicant whose previ ...

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George Dumpson's Place (1965)

Employing experimental techniques, Emshwiller magically moved through a collection of objects and artifacts in order to capture the spirit of George Dumpson and his backyard museum. ...

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Film Magazine of the Arts (1965)

"In Spring, 1963 Show Magazine called me and asked that I make a film on arts in New York. I told them, why did they want me to make it - didn't they know I was a bit unusual? ... 'We want something unusual,' they said. So I went out and made a newsreel on ...

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Faces of America (1965)

An impressionistic portrait of America's diversity ...

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Scrambles (1964)

This biker documentary was selected for screening at the 1964 Flaherty Film Seminar. Emshwiller described it as "a roaring picture of motorcyclists in action. Modern Lancelots and their ladies-in-waiting go wide open for a day at the races. An impressionis ...

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Totem (1963)

A filmic interpretation of a modern dance ballet by Alvin Nikolais. Earth, fire, water and primordial mysteries in a cine-dance. ...

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Hallelujah the Hills (1963)

Jack and Leo vie for the affections of Vera – who appears a little differently to each man – over the course of a series of energetic sketches, flashbacks and homages. ...

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Freedom March (1963)

A short documentary by Ed Emshwiller of the March on Washington. ...

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Thanatopsis (1963)

Power saws and a heartbeat score this experimental light-and-color shot by Ed Emshwiller. ...

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The Existentialist (1963)

A delightful short film shot in reverse in which the main protagonist enjoys a day on the town. ...

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The American Way (1962)

A comedy short which pokes merry anarchistic fun at such quintessential American institutions as mom, baseball, and apple pie. It features an early appearance from actor John Cazale. ...

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Time of the Heathen (1962)

In New York four years after the bombing of Hiroshima, a bible-carrying drifter who witnesses the rape and murder of a black woman is framed and pursued by locals while left as the sole protector of the woman's young son. ...

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Lifelines (1960)

A combination of animated line drawings with live photography of a nude model. A play on the title (living lines, life model, procreation and hand life line). ...

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Dance Chromatic (1959)

Integrating film and painting, "Dance Chromatic" reveals that the contradiction between the desire to convey the organic growth of form and painting's lack of temporal extension led Emshwiller into filmmaking. ...

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Transformation (1959)

The pointillist score accompanies changing line, form, and color to create an animated film painting, achieved through the exploration of spontaneous abstractions. Utilizes evolving changes style, technique and rhythm. ...

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Big Vacation (1958)

The third film by Ed Emshwiller ...

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Monsters (1958)

The Second film by Ed Emshwiller ...

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Paintings by Ed Emshwiller (1958)

The first film by Ed Emswhiller ...

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The Thing from Back Issues (1956)

A film by Ed Emshwiller made with writers from the Original Milford Science Fiction Writers Conference. Silent film. Mid 1950s. ...

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Movies Starring Ed Emshwiller (9)

Birth of a Nation (1997)

Jonas Mekas assembles 160 portraits, appearances, and fleeting sketches of underground and independent filmmakers captured between 1955 and 1996. Fast-paced and archival in spirit, the film celebrates the avant-garde as its own "nation of cinema," a vital ...

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Home Movies 1971-81 (1985)

Home movies shot on Super 8mm by W+B Hein over 10 years. ...

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Lost, Lost, Lost (1976)

Drawn from footage shot between 1949 and 1963, Jonas Mekas's autobiographical diary film chronicles his early years in exile, capturing the struggle to build a new life in New York and his gradual discovery of a vibrant artistic community. ...

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Family Focus (1976)

Emshwiller terms Family Focus a "family self-portrait, a stylized autobiography," which takes the form of an intimate collage of home movies, black-and-white videotape and photographs that have been colorized, synthesized or otherwise visually transformed ...

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Notes on the Buffalo Conference: “Autobiography in American Independent Cinema” (1973)

During the 1970s I shot, helped to make, or commissioned about ten document films, mainly about film-makers. This film is one of them. It was made with Dan Ochiva, who acted as cameraman on about half of the footage. I shot the rest, and then edited the fi ...

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Painters Painting (1973)

Painters Painting: The New York Art Scene 1940-1970 is a 1972 documentary directed by Emile de Antonio. It covers American art movements from abstract expressionism to pop art through conversations with artists in their studios. Artists appearing in the fi ...

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Diaries, Notes, and Sketches (1968)

Also known as Walden, Jonas Mekas's first diary film is a six-reel chronicle of his life in 1960s New York, interweaving moments with family, friends, lovers, and artistic idols. Blending everyday encounters with portraits of the avant-garde art scene, it ...

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Galaxie (1966)

In March and April of 1966, Markopoulos created this filmic portrait of writers and artists from his New York circle, including Parker Tyler, W. H. Auden, Jasper Johns, Susan Sontag, Storm De Hirsch, Jonas Mekas, Allen Ginsberg, and George and Mike Kuchar, ...

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Hallelujah the Hills (1963)

Jack and Leo vie for the affections of Vera – who appears a little differently to each man – over the course of a series of energetic sketches, flashbacks and homages. ...

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