Lapse (1981)
Lapse is a research of a porous state of the cinematographic material which by "intra-photogrammic fragmentation" (Claudine Eizykman) and encrustation of grains unfolds in its crackling like a film in mesh. ...
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As a filmmaker she has made a dozen films (Selection Committee Prize at the Knokke-Le-Zoute Festival in 1974-75), videos and - in collaboration with Guy Fihman a dozen holographic films and devices to record and present them. Since 1969 she has published numerous studies on narrative cinema ("La Jouissance Cinéma", 1976, ed. 10/18), video art, experimental and avant-garde film, notably on the Vasulkas, Peter Kubelka, Jonas Mekas, Andy Warhol... From 1993 to late 1995, she programmed films for the French Cinémathèque in a regular slot called Cabinet d'Amateur. Since late 1998, she has programmed experimental and avant-garde films for the Forum des Images in Paris. She was a co-founder of the Paris Film Coop in 1974, publisher of the magazine Melba (1976-79), co-founded Cinédoc, of which she is president and since 1979, has taught as a professor at the Université Paris 8 de Vincennes-Saint-Denis.
Lapse is a research of a porous state of the cinematographic material which by "intra-photogrammic fragmentation" (Claudine Eizykman) and encrustation of grains unfolds in its crackling like a film in mesh. ...
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A single plan and its inverted double: a portion of the Avenue de l'Opera, cut out in the city where "the zoom gliding over this space, rather in a deserted space, which anticipates or participates in a disaster. "(Claudine Eizykman in Erres, No. 5, Toulou ...
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The same sequence is mingled with itself, calibrated according to curves that draw shapes on the blue or on the yellow, creating shifts in the thickness for a search of volumetric effects. ...
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"As Guy Fihman said, Bruine Squamma is also the story of a woman (N.K.) coming out of her house (Mozart House) speeding (tunnels) to join a man (Bléneau + cloud). And yet I wanted the shape of the film to be the furthest, the most secant, the most tenuous ...
Watch NowClaudine Eizykman repeats a few images - a woman on a stairway, the courtyard on an apartment building, a man at a desk - with variations, including superimposition. Sometimes the images appear in an abstracted version of color negative film, a mix of pale ...
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Claudine Eizykman with VITESSE WOMEN, presents a torrent, dazzling film that intersects several sequences according to various rhythms, sometimes close to the perceptive thresholds, allowing the deregulation of the senses desired by Rimbaud, opening the wa ...
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A portion of a building, Maine Montparnasse, filmed from the 5th floor of a neighboring building according to architectural lines, is transformed by geometric movements more or less fast blurring our perception. ...
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In L'Autre Scène, the images and the sound material try to manifest the mechanism of an advertisement around the blade. ...
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Covers the making of the multicolored magazine for technological arts, Melba, edited by Claudine Eizykman and in which Guy Fihman, Dominique Willoughby, among others, were active participants, with 5 issues published between 1976 and 1979. ...
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Jonas Mekas assembles 160 portraits, appearances, and fleeting sketches of underground and independent filmmakers captured between 1955 and 1996. Fast-paced and archival in spirit, the film celebrates the avant-garde as its own "nation of cinema," a vital ...
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