Bruce Nauman is an American artist. His practice spans a broad range of media including sculpture, photography, neon, video, drawing, printmaking, and performance. Nauman lives near Galisteo, New Mexico.
This exhibition presents a new work by Bruce Nauman, Contrapposto Studies, I through VII, which continues the artist's exploration of video, sound, and performance. Characteristic of his work over the last five decades, Nauman transforms a simple and subtl ...
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For Seven Easy Pieces Marina Abramovic reenacted five seminal performance works by her peers, dating from the 1960's and 70's, and two of her own, interpreting them as one would a musical score. The project confronted the fact that little documentation exi ...
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Seven screens show videos of as many places in Bruce Nauman's studio during the summer of 2000. He filmed these slices of night life with an infrared camera and processed them during editing. But one person is conspicuous by his absence: the artist. From t ...
Watch NowThe artist Bruce Nauman set the corner post of a fence on his ranch in Galisteo, New Mexico, one day and videotaped the process. As the title of Setting a Good Corner (Allegory & Metaphor) suggests, Nauman sees this simple, even mundane, activity as an all ...
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This stacked two-screen video installation shows the artist washing his hands with a vigour that goes beyond a daily cleaning ritual. The energy of the gesture and the distortive effect of the double screen evoke a sinister prior event and a sense panic or ...
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In this work, shown on two stacked monitors, Bruce Nauman washes his hands with a thoroughness bordering on obsession. Each from a different vantage point, the two monitors present a simple everyday action, extended to fill almost an hour. The work is a se ...
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On three projection surfaces and six monitors, one sees the head of a man shown in different takes. While continually revolving about his own axis, in a variety of tonalities he sings «FEED ME/ EAT ME/ ANTHROPOLOGY,» «HELP ME/ HURT ME/ SOCIOLOGY,» and ...
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"Two color monitors placed in the window played one of Nauman's most recent videos, that of a clown jumping up and down shouting 'No, No, No, No!' endlessly. Nauman's videos confront the viewer with behavior normally thought unacceptable. The clown's simpl ...
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This is one of four videos in a collection called Clown Torture, 1987 by Bruce Nauman- this one being "Clown with Goldfish" featured at the Chicago Art Institute. ...
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In this video work Bruce Nauman explores violence, gender and behaviour. Set around a simple middle class dining table, the scene quickly escalates into a slapstick fight between a man and a woman. Their actions become increasingly more erratic and aggress ...
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In the work two monitors are displayed at head height on pedestals. The head and shoulders of a young black man appear on one; on the other is an older white woman. They both speak the same sequence of a hundred phrases five times, beginning in a flat neut ...
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Images of sixteen men and women are shown, one by one, as they run on a conveyor belt against a black background. They appear to be in a complete void. The camera films the runners from all kinds of angles: sometimes from the front, from the knees up, then ...
Watch NowIn this videotape, a companion to Elke..., the actor's task was to imagine himself sinking into the floor. The resulting images portray him stretched out on the floor, sometimes face up, sometimes face down, in a series of dissolves. Although the mental co ...
Watch NowIn 1969 Nauman had devised a set of mental exercises in which a live performer was to concentrate on sinking into the floor or allowing the floor to rise up over him or her. This videotape was based on these exercises and were the first videotapes Nauman m ...
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In an earlier film, Playing A Note on the Violin While I Walk Around the Studio (Violin #1), Nauman played a single note on the violin as he walked around his studio. In this video work, he remains in a stationary position while he plays four strings toget ...
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An upside-down close-up of the artist's mouth, Nauman repeats the words "lip sync" as the audio track shifts in and out of sync with the video. The disjunction between what is seen and heard keeps the viewer on edge, struggling to attach the sound of the w ...
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Nauman, his head cropped from the frame, is shown bouncing in the corner of his studio. Here, however, the images were recorded with a fixed camera that was inverted rather than turned on its side. ...
Watch NowA stationary camera set upside down and framing a long shot of the studio records Nauman, with his hands clasped behind his back, repeating a series of steps similar to those of Slow Angle Walk (Beckett Walk). The curious exercise combines pirouettes, goos ...
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In this film, Nauman bounces his testicles with one hand. Shot in extreme close-up, the work is perhaps an ironic reference to an earlier film Bouncing Two Balls Between the Floor and Ceiling with Changing Rhythms, in which he bounced rubber balls. Along w ...
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In this film, Nauman applies black makeup to his testicles. The action was recorded with an industrial high-speed camera capable of shooting between one thousand and four thousand frames per second. ...
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This film records the activities Nauman performed four years earlier in 1965. Both in this performance and in this work he strikes and holds a variety of poses on the floor in relation to a glowing fluorescent light fixture. ...
Watch NowIn this film, Nauman, bit by bit, pulls five or six yards of gauze from his mouth. Along with Black Balls and Pulling Mouth, it is one of the "Slo-Mo" films that he shot with an industrial high speed camera. ...
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This video registration of a performance in his studio shows Bruce Nauman walking the perimeter of different shapes: circles, spirals and figure eights. Nauman recorded the performance on video because, unlike film, video was a medium that allowed him to m ...
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Violin Film #1 (Playing the Violin as Fast as I Can), is one of several 1967-68 films featuring Nauman's violin-playing, in which the production of sound is subjected to procedural strategies that problematize its status as music and performance. ...
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For this videotape, Nauman turned the camera sideways and positioned it so that his head is cropped from the frame and his body is presented from neck to ankles. As he stands in the corner, his back to the wall, he appears to be lying down; falling backwar ...
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Bruce Nauman - Dance or Exercise on the Perimeter of a Square (Square Dance) (1968), 16mm black-and-white film For this film, Bruce Nauman made a square of masking tape on the studio floor, with each side marked at its halfway point. To the sound of a met ...
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In this silent film, Nauman walks around the perimeter of a large square marked off with masking tape. He shifts his hips exaggeratedly as he places one foot in front of the other, moving carefully around the square. ...
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A fixed camera turned on its side records Nauman repeating for nearly an hour a laborious sequence of body movements inspired by passages in works by Samuel Beckett that describe similarly repetitive and meaningless activities. Hands clasped behind his bac ...
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In this film record of a studio activity, Nauman set himself the task of walking while playing "two notes [on a violin] very close together so that you could hear the beats in the harmonics." The camera is set centrally in the studio in a stationary positi ...
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From an inverted position, high above the floor, the camera records Nauman's trek back and forth and across the studio; his stamping creates a generative rhythm reminiscent of native drum beats or primitive dance rituals. However, Nauman is not participati ...
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Flour Arrangements, a photo series showing Bruce Nauman pushing some piles of flour around on the floor. He uses his body by treating it like material for his art. Nauman committed himself to making one ephemeral flour sculpture each day for over a month. ...
Watch NowThis exhibition presents a new work by Bruce Nauman, Contrapposto Studies, I through VII, which continues the artist's exploration of video, sound, and performance. Characteristic of his work over the last five decades, Nauman transforms a simple and subtl ...
Watch NowThe artist Bruce Nauman set the corner post of a fence on his ranch in Galisteo, New Mexico, one day and videotaped the process. As the title of Setting a Good Corner (Allegory & Metaphor) suggests, Nauman sees this simple, even mundane, activity as an all ...
Watch NowThis stacked two-screen video installation shows the artist washing his hands with a vigour that goes beyond a daily cleaning ritual. The energy of the gesture and the distortive effect of the double screen evoke a sinister prior event and a sense panic or ...
Watch NowIn this work, shown on two stacked monitors, Bruce Nauman washes his hands with a thoroughness bordering on obsession. Each from a different vantage point, the two monitors present a simple everyday action, extended to fill almost an hour. The work is a se ...
Watch Now"Two color monitors placed in the window played one of Nauman's most recent videos, that of a clown jumping up and down shouting 'No, No, No, No!' endlessly. Nauman's videos confront the viewer with behavior normally thought unacceptable. The clown's simpl ...
Watch NowIn an earlier film, Playing A Note on the Violin While I Walk Around the Studio (Violin #1), Nauman played a single note on the violin as he walked around his studio. In this video work, he remains in a stationary position while he plays four strings toget ...
Watch NowIn this film, Nauman bounces his testicles with one hand. Shot in extreme close-up, the work is perhaps an ironic reference to an earlier film Bouncing Two Balls Between the Floor and Ceiling with Changing Rhythms, in which he bounced rubber balls. Along w ...
Watch NowIn this film, Nauman applies black makeup to his testicles. The action was recorded with an industrial high-speed camera capable of shooting between one thousand and four thousand frames per second. ...
Watch NowViolin Film #1 (Playing the Violin as Fast as I Can), is one of several 1967-68 films featuring Nauman's violin-playing, in which the production of sound is subjected to procedural strategies that problematize its status as music and performance. ...
Watch Now
Bruce Nauman - Dance or Exercise on the Perimeter of a Square (Square Dance) (1968), 16mm black-and-white film For this film, Bruce Nauman made a square of masking tape on the studio floor, with each side marked at its halfway point. To the sound of a met ...
Watch NowIn this silent film, Nauman walks around the perimeter of a large square marked off with masking tape. He shifts his hips exaggeratedly as he places one foot in front of the other, moving carefully around the square. ...
Watch NowA fixed camera turned on its side records Nauman repeating for nearly an hour a laborious sequence of body movements inspired by passages in works by Samuel Beckett that describe similarly repetitive and meaningless activities. Hands clasped behind his bac ...
Watch NowIn this film record of a studio activity, Nauman set himself the task of walking while playing "two notes [on a violin] very close together so that you could hear the beats in the harmonics." The camera is set centrally in the studio in a stationary positi ...
Watch NowFrom an inverted position, high above the floor, the camera records Nauman's trek back and forth and across the studio; his stamping creates a generative rhythm reminiscent of native drum beats or primitive dance rituals. However, Nauman is not participati ...
Watch NowFlour Arrangements, a photo series showing Bruce Nauman pushing some piles of flour around on the floor. He uses his body by treating it like material for his art. Nauman committed himself to making one ephemeral flour sculpture each day for over a month. ...
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