Considered one of the most promising singers of her generation, Amel Brahim-Djelloul started her musical studies with the violin. She began studying singing in 1995 in Algiers under the tuition of Abdelhamid Belferouni. It was Noelle Barker who advised her to go to Paris to finish her training, and she studied at the Ecole Nationale de Musique at Montreuil with Frantz Petri and then at the Conservatoire National Supérieur de Musique in Paris with Peggy Bouveret and Malcolm Walker, with whom she has since been working. She graduated from the Conservatoire in June 2003.
Amel Brahim-Djelloul began very early to tackle the key roles in her repertoire. In 2002 she sang Dido in Purcell's opera under Stephen Stubb, and went on to make her debut in the role of Pamina with the Orchestre Nationale d'Ile de France with Alain Altinoglu conducting. René Jacobs noticed her and invited her to take part in a new production of Sartorio's Giulio Cesare at the Innsbruck Ancient Music Festival, conducted by Attilio Cremonesi. He then gave her the roles of Valletto and Amore in a new production of The Coronation of Poppea which he conducted at the Théâtre des Champs-Elysées, then at the Deutsche Oper in Berlin, and at the Opéra de la Monnaie in Brussels in a production by David McVicar.
In times of religious violence, the young mother Vigdis Adelaïs is torn between her Christian upbringing and the Jewish faith, to which she has converted for her beloved. The Belgian composer Wim Henderickx and librettist Krystian Lada have created a new ...
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In a Mediterranean country plunging into armed conflict, a doctor tries to do his duty against all odds, until the day his destiny is turned upside down… ...
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For the launch of its DVD collection, Alpha is joining forces with Christophe Roussets Les Talens Lyriques in Rameaus opera-ballet Les Indes galantes, his most famous work, here performed in its 1750 Toulouse version. Particularly rich both on the musical ...
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